Les délices d’Alicia

J’ai un seul souvenir de concert avec elle : une toute petite dame, élégante, qui fascinait l’auditoire dès qu’elle se mettait à jouer. La pianiste espagnole Alicia de Larrocha (1923-2009) a fait l’objet de plusieurs rééditions chez ses éditeurs successifs – ou parfois simultanés.

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Mais voici que Decca édite un fort coffret de 41 CD, l’intégrale des enregistrements de la pianiste espagnole pour le label britannique.  Je ne peux que redire ce que j’écrivais en mars 2016 : lire Les merveilles d’Alicia.

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CD 1 Halffter, E: Danza de la pastore

Halffter, E: Danza de la gitan

Surinach: Trois Chansons et Danses Espagnoles

Nin-Culmell: Canción de Labrador (from Tonadas)

Nin-Culmell: Copla Castellana (from Tonadas)

Nin-Culmell: Canción Otoñal (from Tonadas)

Nin-Culmell: Seguidilla murciana (from Tonadas)

Nin-Culmell: Canción de trilla (from Tonadas)

Nin-Culmell: Muñerra (from Tonadas)

Mompou: Cancion y danza No. 4

Mompou: Cancion y danza No. 5

Mompou: Cancion y danza No. 6

Montsalvatge: Sonatine pour Yvette

Montsalvatge: Habanera

 

CD 2 Grieg: Lyric Pieces Op. 54: No. 4 – Nocturne

Grieg: Piano Sonata in E minor, Op. 7

Mendelssohn: Caprice, Op. 33 No. 1

Mendelssohn: Variations sérieuses in D minor Op. 54

 

CD 3 Falla: Noches en los jardines de España

Chopin: Piano Concerto No. 2 in F minor, Op. 21 (Orchestre de la Suisse Romande Sergiu Comissiona)

CD 4 Bach, J S: Italian Concerto, BWV971

Bach, J S: French Suite No. 6 in E major, BWV817

Bach, J S: Fantasia & Fugue in C minor, BWV906

Bach, J S: English Suite No. 2 in A minor, BWV807

Bach, J S: Choral Prelude BWV731 ‘Liebster Jesu, wir sind hier

Bach, J S: Cantata No. 22 « Jesus nahm zu sich die Zwölfe »

Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004: Chaconne

CD 5 Schumann: Faschingsschwank aus Wien, Op. 26

Schumann: Allegro in B minor, Op. 8

Schumann: Romance in F sharp major, Op. 28 No. 2

Schumann: Fantasie in C major, Op. 17

CD 6 Schumann: Carnaval, Op. 9 (1978)

Schumann: Kreisleriana, Op. 16

Schumann: Novelette, Op. 21 No. 8 in F sharp minor

CD 7 Schumann: Carnaval, Op. 9 (1987

Schumann: Allegro in B minor, Op. 8

Schumann: Piano Concerto in A minor, Op. 54 (Royal Philharmonic Orchestra Charles Dutoit)

CD 8 Khachaturian: Piano Concerto in D flat major

Franck, C: Symphonic Variations for piano & orchestra, M46 (London Philharmonic Orchestra Rafael Frühbeck de Burgos)                                                                                        Liszt: Piano Sonata in B minor, S178

 

CD 9 Ravel: Piano Concerto in G major

Ravel: Piano Concerto in D major (for the left hand) (London Philharmonic Orchestra Lawrence Foster)

Fauré: Fantaisie for piano & orchestra, Op. 1 (London Philharmonic Orchestra Rafael Frühbeck de Burgos)

CD 10 Albéniz: Iberia, books 1-4 (1973)

CD 11 Albéniz: Navarra

Albéniz: Cantos de España (5), Op. 232

Albéniz: Sonata in D

Albéniz: Puerta de tierra – Bolero (No. 5 from Recuerdos de Viaje, Op. 71)

Albéniz: Pavana-Capricho Op. 12

Albéniz: Rumores de la caleta (No. 6 from Recuerdos de Viaje, Op. 71)

Albéniz: Malagueña (No. 3 from Espana, Op. 165)

Albéniz: Sevilla (from Suite Española, Op. 47)

Soler, A: Keyboard Sonata No. 87 in G minor

Soler, A: Keyboard Sonata No. 84 in D major

Granados: Danza española, Op. 37 No. 7 ‘Valenciana’

Granados: Danza española, Op. 37 No. 5 ‘Andaluza’

Turina: Sacromonte (No. 5 from Danzas gitanas, Set 1, Op. 55)

Turina: Zapateado

CD 12 Mozart: Piano Sonata No. 11 in A major, K331 ‘Alla Turca’

Mozart: Fantasia in C minor, K475

Mozart: Rondo in D major, K485

Mozart: Piano Sonata No. 9 in D major, K311

Mozart: Piano Sonata No. 10 in C major, K330

Mozart: Fantasia in D minor, K397

CD 13 Mozart: Piano Sonata No. 12 in F major, K332

Mozart: Piano Sonata No. 16 in C major, K545 ‘Facile’

Mozart: Piano Sonata No. 18 in D major, K576 ‘Hunt’

Mozart: Piano Sonata No. 4 in E flat major K282

Mozart: Piano Sonata No. 8 in A minor, K310

CD 14 Mozart: Piano Sonata No. 14 in C minor, K457

Mozart: Fantasia in C minor, K475

Haydn: Andante & Variations in F minor, Hob.XVII:6 (Sonata – un piccolo divertimento

Haydn: Keyboard Concerto No. 2 in D major, Hob.XVIII:2 (London Sinfonietta David Zinman)

CD 15 Falla: Cuatro piezas españolas

Falla: Fantasía Bética

Falla: Three dances from El Sombrero de Tres Picos

Falla: El Amor Brujo: Suite

CD 16 Chopin: Preludes (24), Op. 28

Chopin: Berceuse in D flat major, Op. 57

CD 17 Rachmaninov: Piano Concerto No. 3 in D minor, Op. 30

Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18 (Royal Philharmonic Orchestra Charles Dutoit)

CD 18 Montsalvatge: Concerto Breve for Piano & Orchestra

Surinach: Concerto for Piano and Orchestra (1973) (Royal Philharmonic Orchestra Rafael Frühbeck de Burgos)

CD 19 Granados: Goyescas (piano suite)

CD 20 Granados: Tonadillas / Canciones amatorias (Pilar Lorengar, soprano)

CD 21-22 Mozart: Piano Concerto No. 25 in C major, K503

Mozart: Piano Concerto No. 27 in B flat major, K595

Mozart: Piano Concerto No. 24 in C minor, K491                                                                  Mozart: Piano Concerto No. 26 in D major, K537 ‘Coronation’ (Chamber Orchestra Of Europe Georg Solti)

CD 23 Beethoven: Bagatelles (7), Op. 33, Piano Concerto No. 5 in E flat major, Op. 73 ‘Emperor’ (Los Angeles Philharmonic Zubin Mehta)

CD 24 Mozart: Piano Concerto No. 12 in A major, K414                                                           Bach, J S: Keyboard Concerto No. 5 in F minor, BWV1056 (London Sinfonietta David Zinman)

CD 25 Granados: Danzas españolas, Op. 37 Nos. 1-12

CD 26 Scarlatti, D: Keyboard Sonata K9 in D minor

Scarlatti, D: Keyboard Sonata K6 in F major

Scarlatti, D: Keyboard Sonata K10 in D minor

Scarlatti, D: Keyboard Sonata K8 in G minor

Scarlatti, D: Keyboard Sonata K13 in G major

Scarlatti, D: Keyboard Sonata K11 in C minor

Scarlatti, D: Keyboard Sonata K28 in E major

Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004: Chaconne

Handel: Keyboard Suite, HWV 430 in E major ‘The Harmonious Blacksmith’

Soler, A: Keyboard Sonata No. 21 in C sharp minor                                                                   Soler, A: Keyboard Sonata No. 84 in D major                                                                                Soler, A: Keyboard Sonata No. 86 in D major

Soler, A: Keyboard Sonata No. 15 in D minor

Soler, A: Keyboard Sonata No. 89 in F major

Soler, A: Keyboard Sonata No. 85 in F sharp minor

Soler, A: Keyboard Sonata No. 87 in G minor

CD 27 Mozart: Piano Concerto No. 22 in E flat major, K482

Mozart: Piano Concerto No. 19 in F major, K459 (Wiener Symphoniker Uri Segal)

CD 28 Schubert: Piano Sonata No. 13 in A major, D664

Schubert: Impromptu in A flat major, D899 No. 4

Schubert: Moments Musicaux, D780: No. 6 in A flat

Schubert: Piano Sonata No. 21 in B flat major, D960

 

CD 29-30_31 Beethoven: Piano Concertos Nos. 1-5 (complete)

Beethoven: Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80 (RIAS Kammerchor, Radio-Symphonie-Orchester Berlin Riccardo Chailly)

CD 32 Mompou: Impresiones Intimas

Mompou: Prelude No. 11 (a Alicia de Larrocha)

Mompou: Musica Callada, Book 4

Mompou: Cancion y danza No. 1

Mompou: Cancion y danza No. 2

Mompou: Cancion y danza No. 3

Mompou: Cancion i danza No. 14

CD 33 Granados: Pieces based on Spanish folk-songs DLR V:2.1-7

Granados: Allegro de concierto, Op. 46

Granados: Escenas romanticas

CD 34 Falla: Noches en los jardines de España

Albéniz: Rapsodia Española

Turina: Rapsodia sinfonica, Op. 66 (London Philharmonic Orchestra Rafael Frühbeck de Burgos)

CD 35-36 Albéniz: Iberia, books 1-4 (1983)

Albéniz: Navarra

Albéniz: Suite española No. 1, Op. 47

CD 37-39 American Decca recordings 1954-1955                                                                   Esplá: Sonata Espanola, Op. 53

Rodrigo: Danzas (3) de España

Granados: Danzas españolas, Op. 37 Nos. 1-12

Turina: Danzas fantásticas, Op. 22

Turina: Preludios, Op. 80

Turina: Souvenirs de l’Ancienne Espagne, Op. 48

Turina: Partita, Op. 57                                                                                                             Granados: Escenas romanticas

Granados: Goyescas (piano suite)

Mompou: Impresiones Intimas

CD 40-41 Hispanovox 1962-1964

Beethoven: Für Elise (Bagatelle in A minor, WoO59)

Liszt: Liebestraum, S541 No. 3 (Nocturne in A flat major)

Rachmaninov: Prelude Op. 3 No. 2 in C sharp minor

Debussy: Clair de Lune (from Suite Bergamasque)

Schubert: Moments Musicaux, D780: No. 3 in F minor

Schubert: German Dance D365 No. 1

Couperin, F: Pièces de clavecin III: Ordre 13ème in B minor: Les rozeaux

Mozart: Piano Sonata No. 16 in C major, K545 ‘Facile’

Mozart: Rondo alla Turca from Piano Sonata No. 11, K331

Mendelssohn: Song without Words, Op. 67 No. 4 in C major ‘Spinning Song’ or ‘Bee’s Wedding’

Mendelssohn: Song without Words, Op. 62 No. 6 in A major ‘Spring Song’)

Tchaikovsky: The Seasons, Op. 37b: November (Troika)

Chopin: Waltz No. 7 in C sharp minor, Op. 64 No. 2

Chopin: Nocturne No. 2 in E flat major, Op. 9 No. 2

Chopin: Impromptu No. 4 in C sharp minor, Op. 66 ‘Fantaisie-Impromptu’

Chopin: Étude Op. 10 No. 3 in E major ‘Tristesse’

Chopin: Polonaise No. 6 in A flat major, Op. 53 ‘Héroïque’

Liszt: Hungarian Rhapsody, S244 No. 2 in C sharp minor

Liszt: Consolation, S. 172 No. 3 in D flat major

Liszt: Grande Étude de Paganini, S. 141 No. 3 ‘La Campanella’

Schubert: Impromptu in A flat major, D899 No. 4

Chopin: Nocturne No. 5 in F sharp major, Op. 15 No. 2

Chopin: Étude Op. 25 No. 9 in G flat major ‘Butterfly’

Chopin: Waltz No. 4 in F major ‘Grande Valse Brillante’, Op. 34 No. 3                         Mendelssohn: Rondo capriccioso in E major, Op. 14

Paderewski: Minuet in G major, Op. 14 No. 1

Fauré: Nocturne No. 3 in A flat major, Op. 33 No. 3

Debussy: Arabesques (2)

Weber: Invitation to the Dance, Op. 65

Falla: Ritual Fire Dance (from El amor brujo)

jeanpierrerousseaublog.com

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Bernstein Centenary

Pour le centenaire de Leonard Bernsteinses éditeurs historiques – Sony et Deutsche Grammophon – ont mis le paquet.

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  • Beethoven: Symphonien Nr. 1-9 (Nr. 5 & 7 in zwei Einspielungen); Die Geschöpfe des Prometheus-Ouvertüre op. 43; Egmont-Ouvertüre op. 84; Coriolan-Ouvertüre op. 62; König Stephan-Ouvertüre op. 117; Fidelio-Ouvertüre; Leonore-Ouvertüre Nr. 3 (in zwei Einspielungen); Klavierkonzerte Nr. 3-5 (Nr. 4 in zwei Einspielungen); Streichquartette Nr. 14 & 16 (Orchesterfassungen von Mitropoulos); Missa solemnis op. 123; Fidelio op. 72
  • Britten: 4 Sea Interludes aus Peter Grimes
  • Bernstein: Symphonien Nr. 1-3; Chichester Psalms; Serenade nach Platos „Symposium“; Fancy Free-Ballett; Dybbuk-Suiten Nr. 1 & 2; Songfest; Divertimento für Orchester; A Musical Toast; Slava – A Political Overture; 3 Dance Episodes aus On the Town; Facsimile; Nocturne “Halil” für Flöte, Streicher, Percussion; 3 Meditationen aus Mass; Symphonische Suite aus On the Waterfront; Prelude, Fugue & Riffs für Klarinette & Jazz Ensemble; Symphonische Tänze aus West Side Story; Konzert für Orchester „Jubilee Games“; On the Town; Candide; West Side Story; A Quiet Place; A White House Cantata; Candide-Ouvertüre
  • Bizet: Carmen
  • Brahms: Symphonien Nr. 1-4; Akademische Festouvertüre op. 80; Tragische Ouvertüre op. 81; Haydn-Variationen op. 56a; Klavierkonzerte Nr. 1 & 2; Violinkonzert op. 77; Konzert für Violine, Cello & Orchester op. 102
  • Bruckner: Symphonie Nr. 9
  • Copland: Symphonie Nr. 3; Appalachian Spring; El Salon Mexico; Connotations; Quiet City für Englischhorn, Trompete, Streicher; Klarinettenkonzert; Music for the Theatre
  • Debussy: La Mer; Prelude a l´apres-midi d’un faune; Images für Orchester
  • Dvorak: Symphonie Nr. 9; Slawische Tänze op. 46 Nr. 1, 3, 8; Cellokonzert op. 104
  • Gershwin: An American in Paris; Rhapsody in Blue; Prelude for Piano Nr. 2
  • Mahler: Symphonien Nr. 1-9; Adagio (Symphonie Nr. 10); Kindertotenlieder; Das Lied von der Erde; Des Knaben Wunderhorn; 5 Rückert-Lieder; Lieder eines fahrenden Gesellen
  • Haydn: Symphonien Nr. 88, 92, 94, 102; Sinfonia concertante B-Dur H1: 105; Messe H22: 9 „Missa in tempore belli“ (Paukenmesse); Die Schöpfung (inkl. Werkseinführung)
  • Hindemith: Symponie „Mathis der Maler“; Konzertmusik op. 50 für Streicher & Blechbläser; Symphonische Metamorphosen über Themen von Weber
  • Elgar: Enigma Variationen; Pomp & Circumstance Märsche Nr. 1 & 2; The Crown of India-Marsch
  • Franck: Symphonie d-moll
  • Saint-Saens: Le Rouet d’Omphale op. 31
  • Roussel: Symphonie Nr. 3
  • Ives: Symphonie Nr. 2; Central Park in the Dark; The Gong on the Hook; Tone Roads Nr. 1; Largo cantabile “Hymn”; Halloween; The Unanswered Question
  • Liszt: Faust-Symphonie
  • Barber: Adagio for Strings op. 11
  • Schuman: Symphonie Nr. 3; American Festival Overture
  • Del Tredici: Tattoo für Orchester (1986)
  •  Rorem: Violinkonzert
  • Harris: Symphonie Nr. 3
  • Boito: Prologo in Cielo aus Mefistofele
  • Foss: Biblische Kantate “The Song of Songs”
  • Mendelssohn: Symphonien Nr. 3-5; Hebriden-Ouvertüre op. 26
  • Mozart: Symphonien Nr. 25, 29, 35, 36, 38-41; Klarinettenkonzert KV 622; Klavierkonzerte Nr. 15 & 17 (mit Bernstein als Pianist & Dirigent); Requiem KV 626; Messe KV 427 c-moll « Große Messe »; Ave verum KV 618; Exsultate, jubilate KV 165
  • Puccini: La Boheme
  • Schubert: Symphonien Nr. 5, 8, 9
  • Schumann: Symphonien Nr. 1-4; Cellokonzert op. 129; Klavierkonzert op. 54
  • Schostakowitsch: Symphonien Nr. 1, 6, 7, 9
  • Sibelius: Symphonien Nr. 1, 2, 5, 7
  • R.Strauss: Orchesterlieder op. 10 Nr. 1; op. 27 Nr. 2 & 4; op. 37 Nr. 2; op. 41 Nr. 1; Schleiertanz & Finalszene aus Salome
  • Strawinsky: Feuervogel-Suite; Pulcinella; Petruschka; Scenes de ballet; Le Sacre du Printemps; Symphonie C-Dur; Symphonie in drei Sätzen; Mass; Les Noces
  • Tschaikowsky: Symphonien Nr. 4-6; Francesca da Rimini op. 32 (in zwei Einspielungen); Romeo & Julia (in zwei Einspielungen); 1812-Ouvertüre op. 49; Capriccio italien op. 45; Hamlet op. 67; Slawischer Marsch op. 31
  • Bloch: Schelomo
  • Wagner: Tristan und Isolde
  • Ravel: Klavierkonzert G-Dur (mit Bernstein als Pianist & Dirigent)
  • Das Konzert im Dezember 1989 zum Fall der Berliner Mauer mit Beethovens Symphonie Nr. 9
  • The 1953 American Decca Recordings (auf 6 CDs) mit Bernsteins musikalischen Analysen (in englischer Sprache): Beethoven, Symphonie Nr. 3; Brahms, Symphonie Nr. 4; Dvorak, Symphonie Nr. 9; Schumann, Symphonie Nr. 2; Tschaikowsky, Symphonie Nr. 6
    +Bernstein: Fancy Free (Aufnahme von 1946 mit Billy Holiday, Joe Guy, Ballet Theatre Orchestra); Auszüge aus On the Town (Aufnahmen von 1954 mit Lynn Murray Orchestra, Tutti Camarata Orchestra, Leonad Joy Orchestra)
  • BERNSTEIN AUF DVD – Beethoven: Symphonien Nr. 1-9 (inkl. Werkseinführungen); Klavierkonzerte Nr. 1-5; Missa solemnis op. 123; Chorfantasie op. 80; Die Geschöpfe des Prometheus op. 43 (Auszüge); Egmont-Ouvertüre op. 84; Coriolan-Ouvertüre op. 62; Leonore-Ouvertüre Nr. 3; König Stephan-Ouvertüre op. 117; Streichquartett Nr. 14 (Orchesterfassung); Fidelio op. 72 (Eine Produktion der Wiener Staatsoper 1978); Bernstein: Divertimento für Orchester; Serenade nach Plato; Symphonie Nr. 2 (inkl. « Teacher and Teaching » – A Tribute to Leonard Bernstein as a Teacher); Candide; Brahms: Symphonien Nr. 1-4 (inkl. Werkseinführungen); Klavierkonzerte Nr. 1 & 2; Violinkonzert op. 77; Konzert op. 102 für Violine, Cello & Orchester; Mahler: Symphonien Nr. 1-9 (inkl. Proben zu den Symphonien Nr. 5 & 9); Das Lied von der Erde; Lieder eines fahrenden Gesellen; Lieder aus Des Knaben Wunderhorn; Rückert-Lieder; « The Little Drummer Boy » – Ein Essay über Mahler von und mit Leonard Bernstein; Mozart: Messe c-moll KV 427; Exsultate, jubilate KV 165; Ave verum KV 618; Requiem KV 626; Schumann: Symphonien Nr. 1-4; Cellokonzert op. 129; Haydn: Cellokonzerte Nr. 1 & 2; Violinkonzerte Nr. 1 & 4; Schostakowitsch: Symphonien Nr. 6 & 9; Tschaikowsky: Symphonien Nr. 4 & 5; Violinkonzert op. 35; Andante cantabile; Bernstein: The Making of West Side Story
    +DVD « The Gift of Music »
    +DVD « Rostropovich – Life and Art » – Schumann: Cellokonzert op. 129; Bloch: Schelomo
    +BLU-RAY AUDIO Beethoven: Symphonien Nr. 1-9
  • Künstler: Krystian Zimerman, Claudio Arrau, Gidon Kremer, Gundula Janowitz, Edda Moser, Lucia Popp, Gwyneth Jones, Hanna Schwarz, Rene Kollo, Kurt Moll, Barbara Hendricks, Christa Ludwig, Thomas Hampson, Agnes Baltsa, Dietrich Fischer-Dieskau, Arleen Auger, Mischa Maisky, Frederica von Stade, Martha Argerich, Peter Hofmann, Hildegard Behrens, Cyprien Katsaris, Billy Holiday, Montserrat Caballe, Peter Schmidl, Tölzer Knabenchor, Symphonieorchester des Bayerischen Rundfunks, Wiener Philharmoniker, Concertgebouw Orchestra, Boston Symphony Orchestra, Israel Philharmonic Orchestra, New York Philharmonic Orchestra, Los Angeles Philharmonic Orchestra, Berliner Philharmoniker, Orchestra dell’Accademia Nazionale di Santa Cecilia, Chicago Symphony Orchestra, Orchestre National de France, English Bach Festival Orchestra, Ballet Theatre Orchestra, Leonard Bernstein, Justus Frantz

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DGG avait déjà édité deux coffrets format 33 tours : voir Leonard Bernstein Collection.

Quant à Sony, le legs discographique de Bernstein est proposé en plusieurs éditions, il y a quelques mois un coffret de 100 CD, présentés comme « remastérisés » (voir Bernstein remastered). 

Il y avait eu, dans le cadre d’une Bernstein Edition vraiment intégrale, deux précédents coffrets, le premier comprenant toutes les symphonies gravées par Bernstein pour l’essentiel à New York.

81wKRph+q0L._SL1500_En moins de dix ans, Bernstein grave une fabuleuse collection :

* Beethoven: Complete Symphonies
* Berlioz: Symphonie Fantastique
* Bernstein: Complete Symphonies
* Bizet: Symphony in C
* Marc Blitzstein: The Airborne Symphony
*
Brahms: Complete Symphonies
* Bruckner: Symphony No. 9
* Carlos Chavez: Sinfonia India
* Copland: Symphony for Organ and Orchestra, Symphony No. 3
* David Diamond: Symphony No. 4
* Dvorak: Symphonies Nos. 7 & 9
* Franck: Symphony in D Minor
* Karl Goldmark: Rustic Wedding Symphony
* Roy Harris: Symphony No. 3
* Haydn: Symphonies Nos. 82-88, 93-104
* Hindemith: Symphony in E-flat
* Ives: Symphonies Nos. 2 & 3
* Liszt: A Faust Symphony
* Mahler: Complete Symphonies
* Mendelssohn: Symphonies Nos. 3-5
* Mozart: Symphonies Nos. 36, 39-41
* Nielsen: Symphonies Nos. 2-5
* Prokofiev: Symphonies Nos. 1 & 5
* Albert Roussel: Symphony No. 3
* Saint-Saens: Sympnony No. 3
* Schubert: Symphonies Nos. 5, 8 & 9
* Robert Schumann: Complete Symphonies
* William Schuman: Symphonies Nos. 3, 5 & 8
* Harold Shapero: Symphony for Classical Orchestra
* Stravinsky: Symphony of Psalms
* Shostakovich: Symphonies Nos. 1, 5-7, 9 & 14
* Sibelius: Complete Symphonies
* Tchaikovsky: Complete Symphonies
* Randall Thompson: Symphony No. 2
* Vaughan Williams: Symphony No. 4

Un deuxième coffret comprend les oeuvres symphoniques et concertantes.

71GHQ-dF+EL._SL1500_Peut-être encore plus impressionnant que le coffret « symphonique », ces 80 CD révèlent l’incroyable étendue du répertoire et des curiosités de Bernstein chef, compositeur et pianiste.

1.
Concerto for Violin, Op. 14 by Samuel Barber
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1939; USA
2.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:  Leonard Bernstein (Harpsichord), Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 02/16/1966
Venue:  Avery Fisher Hall, Lincoln Center, NYC
3.
Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
Performer:  Harold Gomberg (Oboe), Leonard Bernstein (Harpsichord), Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Baroque
Date of Recording: 02/07/1966
Venue:  Avery Fisher Hall, Lincoln Center, NYC
4.
Concerto for Piccolo in C major, RV 443 by Antonio Vivaldi
Performer:  William Heim (Piccolo)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Baroque
Written: Venice, Italy
Date of Recording: 02/15/1958
Venue:  St. George Hotel, Brooklyn, New York
5.
Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Glenn Gould (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: Baroque
Written: circa 1738-1739; Leipzig, Germany
Date of Recording: 04/1957
Venue:  CBS 30th Street Studios, New York City
6.
Concerto for Orchestra, Sz 116 by Béla Bartók
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1943; USA
Date of Recording: 11/30/1959
Venue:  St. George Hotel, Brooklyn, NYC
7.
Music for Strings, Percussion and Celesta, Sz 106 by Béla Bartók
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1936; Budapest, Hungary
Date of Recording: 03/20/1961
Venue:  Manhattan Center, New York City
8.
Concerto for Piano no 2, Sz 95 by Béla Bartók
Performer:  Philippe Entremont (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1930-1931; Budapest, Hungary
Date of Recording: 01/19/1967
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 28 Minutes 35 Secs.
9.
Concerto for Piano no 3, Sz 119 by Béla Bartók
Performer:  Philippe Entremont (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1945; USA
Date of Recording: 01/17/1967
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 25 Minutes 8 Secs.
10.
Rhapsody for Violin and Orchestra no 1, Sz 87 by Béla Bartók
Performer:  Isaac Stern (Violin), Toni Koves-Steiner (Cimbalom)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1928; Budapest, Hungary
Date of Recording: 04/16/1962
Venue:  Manhattan Center, New York City
Length: 9 Minutes 49 Secs.
11.
Rhapsody for Violin and Orchestra no 2, Sz 90 by Béla Bartók
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1928; Budapest, Hungary
Date of Recording: 04/16/1962
Venue:  Manhattan Center, New York City
Length: 11 Minutes 3 Secs.
12.
Concerto for Violin no 2, Sz 112 by Béla Bartók
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1937-1938; Budapest, Hungary
Date of Recording: 01/26/1958
Venue:  30th Street Studio, NYC
Length: 36 Minutes 18 Secs.
13.
Concerto for 2 Pianos, Percussion and Orchestra, Sz 115 by Béla Bartók
Performer:  Morris Lang (Percussion), Walter Rosenberger (Percussion), Elden Bailey (Percussion),
Saul Goodman (Timpani), Robert Fizdale (Piano), Arthur Gold (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1940; Budapest, Hungary
Date of Recording: 05/14/1966
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 23 Minutes 31 Secs.
14.
Concerto for Violin by Alban Berg
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1935; Austria
15.
Concerto for Piano no 1 in C major, Op. 15 by Ludwig van Beethoven
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1795; Vienna, Austria
16.
Concerto for Piano no 25 in C major, K 503 by Wolfgang Amadeus Mozart
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Israel Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
17.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:  Glenn Gould (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1806; Vienna, Austria
Date of Recording: 03/20/1961
Venue:  Manhattan Center, New York City
Length: 36 Minutes 41 Secs.
18.
Concerto for Piano no 2 in B flat major, Op. 19 by Ludwig van Beethoven
Performer:  Glenn Gould (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: Classical
Written: 1793/1798; Vienna, Austria
Date of Recording: 04/1957
Venue:  30th Street Studio, New York, NY
Length: 27 Minutes 50 Secs.
19.
Concerto for Piano no 3 in C minor, Op. 37 by Ludwig van Beethoven
Performer:  Glenn Gould (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: Classical
Written: 1800; Vienna, Austria
Date of Recording: 05/1959
Venue:  30th Street Studio, New York, NY
Length: 37 Minutes 27 Secs.
20.
Concerto for Piano no 3 in C minor, Op. 37 by Ludwig van Beethoven
Performer:  Rudolf Serkin (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1800; Vienna, Austria
Date of Recording: 01/20/1964
Venue:  Manhattan Center, New York City, NY
Length: 35 Minutes 53 Secs.
21.
Concerto for Piano no 5 in E flat major, Op. 73 « Emperor » by Ludwig van Beethoven
Performer:  Rudolf Serkin (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1809; Vienna, Austria
Date of Recording: 05/01/1962
Venue:  Manhattan Center, New York City, NY
Length: 38 Minutes 18 Secs.
22.
Concerto for Violin in D major, Op. 61 by Ludwig van Beethoven
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1806; Vienna, Austria
23.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Isaac Stern (Violin), Yehudi Menuhin (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Baroque
Written: 1717-1723; Cöthen, Germany
24.
Sweet Psalmist of Israel by Paul Ben-Haim
Performer:  Sylvia Marlowe (Harpsichord), Christine Stavrache (Harp)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1952-1953; Israel
Date of Recording: 05/02/1959
Venue:  Carnegie Hall, New York City
Length: 27 Minutes 35 Secs.
25.
Harold en Italie, Op. 16 by Hector Berlioz
Performer:  William Lincer (Viola)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1834; France
Date of Recording: 10/23/1961
Venue:  Manhattan Center, New York City
Length: 41 Minutes 39 Secs.
26.
Le carnaval romain Overture, Op. 9 by Hector Berlioz
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1843-1844; France
27.
La damnation de Faust, Op. 24: Rákóczy March by Hector Berlioz
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1845-1846; France
28.
Benvenuto Cellini: Overture, Op 23 by Hector Berlioz
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1834-1837; France
29.
Leonore Overture no 3 in C major, Op. 72a by Ludwig van Beethoven
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1805-1806; Vienna, Austria
30.
King Stephan, Op. 117: Overture by Ludwig van Beethoven
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1811; Vienna, Austria
31.
Fidelio, Op. 72: Overture in E major by Ludwig van Beethoven
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1814; Vienna, Austria
32.
Egmont, Op. 84: Overture by Ludwig van Beethoven
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1810; Vienna, Austria
33.
Die Weihe des Hauses, Op. 124 « Consecration of the House »: Overture by Ludwig van Beethoven
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1822; Vienna, Austria
34.
Concerto for Piano no 1 in E flat major, S 124 by Franz Liszt
Performer:  André Watts (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1849/1856; Weimar, Germany
35.
Rhapsody on a theme of Paganini, Op. 43 by Sergei Rachmaninov
Performer:  Gary Graffman (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1934; USA
36.
Concerto for Piano in G major by Maurice Ravel
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: 20th Century
Written: 1929-1931; France
37.
Poème for Violin and Orchestra in E flat major, Op. 25 by Ernest Chausson
Performer:  Zino Francescatti (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1896; France
Date of Recording: 01/06/1964
Venue:  Manhattan Center, New York City
Length: 16 Minutes 3 Secs.
38.
Tzigane for Violin and Orchestra by Maurice Ravel
Performer:  Zino Francescatti (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1924; France
Date of Recording: 01/06/1964
Venue:  Manhattan Center, New York City
Length: 9 Minutes 14 Secs.
39.
Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer:  Glenn Gould (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1854-1858; Germany
Date of Recording: 04/06/1962
Venue:  Live  Carnegie Hall, New York City
Length: 53 Minutes 21 Secs.
40.
Concerto for Piano no 2 in B flat major, Op. 83 by Johannes Brahms
Performer:  André Watts (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1878-1881; Austria
41.
Variations in B flat major on a theme by Haydn, Op. 56a « St. Anthony » by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1873; Austria
42.
Academic Festival Overture in C minor, Op. 80 by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Austria
Date of Recording: 10/07/1963
Venue:  Manhattan Center, New York City
Length: 10 Minutes 10 Secs.
43.
Tragic Overture, Op. 81 by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Austria
Date of Recording: 05/01/1964
Venue:  Mahattan Center, New York City
Length: 13 Minutes 6 Secs.
44.
Serenade no 2 in A major, Op. 16 by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1858-1859; Germany
Date of Recording: 02/1966
Venue:  Avery Fisher Hall, New York City
Length: 31 Minutes 51 Secs.
45.
Appalachian Spring by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1943-1944; USA
46.
El salón México by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1932-1936; USA
47.
Billy the Kid: Suite by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1938; USA
48.
Rodeo: Four Dance Episodes by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1942; USA
49.
Hungarian Dances (21) for Orchestra, WoO 1: no 5 in G minor by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1868; Austria
50.
Hungarian Dances (21) for Orchestra, WoO 1: no 6 in D major by Johannes Brahms
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1868; Austria
51.
Concerto for Piano by Aaron Copland
Performer:  Aaron Copland (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1926; USA
Date of Recording: 01/13/1964
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 16 Minutes 11 Secs.
52.
Connotations by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1962; USA
Date of Recording: 09/23/1962
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 19 Minutes 4 Secs.
53.
El salón México by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: 20th Century
Written: 1932-1936; USA
Date of Recording: 03/1951
Length: 10 Minutes 46 Secs.
54.
Adagio for Strings, Op. 11 by Samuel Barber
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1936; Rome, Italy
Date of Recording: 01/12/1971
Venue:  Avery Fisher Hall, Lincoln Center, NYC
55.
To Thee Old Cause by William Schuman
Performer:  Harold Gomberg (Oboe)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1968; USA
Date of Recording: 10/22/1968
Venue:  Avery Fisher Hall, Lincoln Center, NYC
56.
In Praise of Shahn by William Schuman
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1969; USA
Date of Recording: 02/12/1970
Venue:  Avery Fisher Hall, Lincoln Center, NYC
57.
Fanfare for the common man by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1942; USA
58.
Concerto for Piano no 15 in B flat major, K 450 by Wolfgang Amadeus Mozart
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: Classical
Written: 1784; Vienna, Austria
Date of Recording: 05/07/1956
Venue:  Columbia 30th Street Studios, NYC
59.
Concerto for Piano no 17 in G major, K 453 by Wolfgang Amadeus Mozart
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: Classical
Written: 1784; Vienna, Austria
Date of Recording: 05/04/1956
Venue:  Columbia 30th Street Studios, NYC
60.
Concerto for 2 Pianos in E flat major, K 365 (316a) by Wolfgang Amadeus Mozart
Performer:  Arthur Gold (Piano), Robert Fizdale (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1779; Salzburg, Austria
Date of Recording: 02/17/1970
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 27 Minutes 18 Secs.
61.
Concerto for 3 Pianos in F major, K 242 by Wolfgang Amadeus Mozart
Performer:  Robert Fizdale (Piano), Arthur Gold (Piano), Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1776; Salzburg, Austria
Date of Recording: 03/21/1968
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 23 Minutes 42 Secs.
62.
Serenade no 13 in G major, K 525 « Eine kleine Nachtmusik » by Wolfgang Amadeus Mozart
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Classical
Written: 1787; Vienna, Austria
63.
Concerto for Flute, FS 119 by Carl Nielsen
Performer:  Julius Baker (Flute)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1926; Denmark
64.
Concerto for Clarinet, FS 129/Op. 57 by Carl Nielsen
Performer:  Stanley Drucker (Clarinet)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1928; Denmark
65.
Concerto for Violin by Paul Hindemith
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1939; Switzerland
66.
Concerto for Violin in E minor, Op. 64 by Felix Mendelssohn
Performer:  Pinchas Zukerman (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1844; Germany
Date of Recording: 02/06/1969
Venue:  Philharmonic Hall, New York City
Length: 28 Minutes 46 Secs.
67.
Concerto for Violin no 2 in G minor, Op. 63 by Sergei Prokofiev
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1935; Paris, France
68.
Peter and the Wolf, Op. 67 by Sergei Prokofiev
Performer:  Leonard Bernstein (Spoken Vocals)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1936; USSR
Language: English
69.
Carnival of the animals by Camille Saint-Saëns
Performer:  Leonard Bernstein (Spoken Vocals)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Written: 1886
Language: English
70.
Russlan and Ludmilla: Overture by Mikhail Glinka
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1837-1842; Russia
71.
In the steppes of central Asia by Alexander Borodin
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Russia
72.
The Red Poppy, Op. 70: Russian Sailors’ Dance by Reinhold Gliere
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1926-1927; USSR
73.
Caucasian Sketches Suite no 1, Op. 10: In the Village by Mikhail Ippolitov-Ivanov
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1894; Russia
74.
Caucasian Sketches Suite no 1, Op. 10: Procession of Sardar by Mikhail Ippolitov-Ivanov
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1894; Russia
75.
Khovanshchina: Act 1 Prelude « Dawn on the Moscow River » by Modest Mussorgsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1872-1880; Russia
76.
Scythian Suite, Op. 20 by Sergei Prokofiev
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1915; USSR
77.
Love for Three Oranges: March, Op. 33b no 1 by Sergei Prokofiev
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1922; Paris, France
78.
Lieutenant Kijé Suite, Op. 60: Wedding by Sergei Prokofiev
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1934; Paris, France
79.
Lieutenant Kijé Suite, Op. 60: Troika by Sergei Prokofiev
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1934; Paris, France
80.
Age of Gold Suite, Op. 22a: Polka by Dmitri Shostakovich
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1930; USSR
81.
Concerto for Piano no 2 in C minor, Op. 18 by Sergei Rachmaninov
Performer:  Philippe Entremont (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: Russia
82.
Concerto for Piano no 2 in C minor, Op. 18 by Sergei Rachmaninov
Performer:  Gary Graffman (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: Russia
Date of Recording: 05/26/1964
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 33 Minutes 37 Secs.
83.
Concerto for Cello in A minor, Op. 129 by Robert Schumann
Performer:  Leonard Rose (Cello)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1850; Germany
Date of Recording: 10/24/1960
Venue:  Manhattan Center, New York City
Length: 23 Minutes 52 Secs.
84.
Genoveva, Op. 81: Overture by Robert Schumann
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1846-1849; Germany
Date of Recording: 10/07/1963
Venue:  Manhattan Center, New York City
Length: 8 Minutes 5 Secs.
85.
Concerto for Piano no 4 in C minor, Op. 44 by Camille Saint-Saëns
Performer:  Robert Casadesus (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875; France
86.
Introduction and Rondo capriccioso for Violin and Orchestra in A minor, Op. 28by Camille Saint-Saëns
Performer:  Zino Francescatti (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1863; France
87.
La mer by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1903-1905; France
Date of Recording: 10/16/1961
Venue:  Manhattan Center, New York City
Length: 24 Minutes 2 Secs.
88.
Prélude à l’après-midi d’un faune by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1892-1894; France
Date of Recording: 09/28/1960
Venue:  Manhattan Center, New York City
Length: 10 Minutes 23 Secs.
89.
Jeux by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1912-1913; France
Date of Recording: 05/02/1960
Venue:  Manhattan Center, New York City
Length: 17 Minutes 14 Secs.
90.
Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 09/28/1960
Venue:  Manhattan Center, New York City
Length: 8 Minutes 12 Secs.
91.
Nocturnes (3) for Orchestra: no 2, Fêtes by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1897-1899; France
Date of Recording: 09/28/1960
Venue:  Manhattan Center, New York City
Length: 5 Minutes 48 Secs.
92.
Images for Orchestra by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1905-1912; France
93.
Première Rhapsodie for Clarinet and Orchestra by Claude Debussy
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1911; France
94.
Pavane pour une infante défunte by Maurice Ravel
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1899; France
95.
Ma mère l’oye: Suite by Maurice Ravel
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1908-1910; France
96.
Ballade for Piano and Orchestra in F sharp major, Op. 19 by Gabriel Fauré
Performer:  Robert Casadesus (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1881; France
Date of Recording: 10/30/1961
Venue:  Manhattan Center, New York City
Length: 12 Minutes 30 Secs.
97.
Mouvement symphoniques (3): no 1, Pacific 231 by Arthur Honegger
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Date of Recording: 10/31/1962
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 6 Minutes 2 Secs.
98.
Mouvement symphoniques (3): no 2, Rugby by Arthur Honegger
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Date of Recording: 10/31/1962
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 7 Minutes 23 Secs.
99.
Symphonic Metamorphosis on Themes of Carl Maria von Weber by Paul Hindemith
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1943; USA
Date of Recording: 01/16/1968
Venue:  Avery Fisher Hall, New York City
Length: 10 Minutes 58 Secs.
100.
Konzertmusik for Brass and Strings, Op. 50 by Paul Hindemith
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1930; Germany
Date of Recording: 03/13/1961
Venue:  Manhattan Center, New York City
Length: 17 Minutes 12 Secs.
101.
Concerto for Piano no 1 in C minor, Op. 35 by Dmitri Shostakovich
Performer:  William Vacchiano (Trumpet), André Previn (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1933; USSR
Date of Recording: 04/08/1962
Venue:  Manhattan Center, New York City
Length: 22 Minutes 2 Secs.
102.
Concerto for Piano no 2 in F major, Op. 102 by Dmitri Shostakovich
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1957; USSR
Date of Recording: 01/06/1958
Venue:  30th Street Studio, New York City
Length: 19 Minutes 12 Secs.
103.
Concerto for 2 Pianos in D minor by Francis Poulenc
Performer:  Arthur Gold (Piano), Robert Fizdale (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1932; France
Date of Recording: 10/23/1961
Venue:  Manhattan Center, New York City
Length: 18 Minutes 47 Secs.
104.
Don Quixote, Op. 35 by Richard Strauss
Performer:  William Lincer (Viola), Lorne Munroe (Cello)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1896-1897; Germany
Date of Recording: 10/24/1968
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 44 Minutes 16 Secs.
105.
Salome, Op. 54: Dance of the seven veils by Richard Strauss
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1903-1905; Germany
Date of Recording: 10/12/1965
Venue:  Manhattan Center, New York City
Length: 10 Minutes 10 Secs.
106.
Concerto for Piano and Winds by Igor Stravinsky
Performer:  Seymour Lipkin (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1923-1924; France
107.
Pulcinella Suite by Igor Stravinsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1922/1947; France
108.
Le sacre du printemps by Igor Stravinsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1911-1913
Date of Recording: 01/20/1958
Venue:  St. George Hotel, Brooklyn, New York
Length: 34 Minutes 12 Secs.
109.
Pétrouchka by Igor Stravinsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: Switzerland
Date of Recording: 05/05/1969
Venue:  Avery Fisher Hall, New York City
Length: 35 Minutes 12 Secs.
110.
Concertos (4) for Violin, Op. 8 no 1-4 « Four seasons » by Antonio Vivaldi
Performer:  Leonard Bernstein (Harpsichord), John Corigliano Sr. (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: 1725; Venice, Italy
Date of Recording: 1963-64
Venue:  Manhattan Center, New York City
111.
Concerto for Violin in E major, Op. 8 no 1/RV 269 « Primavera » by Antonio Vivaldi
Performer:  Leonard Bernstein (Harpsichord), John Corigliano Sr. (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: circa 1725; Venice, Italy
Date of Recording: 05/13/1963
Venue:  Manhattan Center, New York City
112.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 « L’estate » by Antonio Vivaldi
Performer:  John Corigliano Sr. (Violin), Leonard Bernstein (Harpsichord)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: 1725; Venice, Italy
Date of Recording: 01/27/1964
Venue:  Manhattan Center, New York City
113.
Concerto for Violin in F major, Op. 8 no 3/RV 293 « L’autunno » by Antonio Vivaldi
Performer:  Leonard Bernstein (Harpsichord), John Corigliano Sr. (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: 1725; Venice, Italy
Date of Recording: 02/11/1964
Venue:  Manhattan Center, New York City
114.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 « L’inverno » by Antonio Vivaldi
Performer:  John Corigliano Sr. (Violin), Leonard Bernstein (Harpsichord)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: 1725; Venice, Italy
Date of Recording: 01/27/1964
Venue:  Manhattan Center, New York City
115.
Concerto in C major, RV 558 by Antonio Vivaldi
Performer:  Laszlo Varga (Cello), Engelbert Brenner (Bass Oboe), Nathan Prager (Trumpet),
William Vacchiano (Trumpet), Robert Morris (Flute), John Corigliano Sr. (Violin),
John Wummer (Flute), Carlo De Filippis (Mandolin), Giovanni Vicari (Mandolin),
Leonard Bernstein (Harpsichord), Aristid von Würtzler (Harp), Christine Stavrache (Harp)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic members
Period: Baroque
Written: Venice, Italy
Date of Recording: 12/15/1958
Venue:  St. George Hotel, Brooklyn, New York
116.
Concerto for Oboe in D minor, Op. 8 no 9/RV 454 by Antonio Vivaldi
Performer:  Harold Gomberg (Oboe)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Baroque
Written: Venice, Italy
Date of Recording: 12/15/1958
Venue:  St. George Hotel, Brooklyn, New York
117.
Concerto for Recorder in C minor, RV 441 by Antonio Vivaldi
Performer:  John Wummer (Flute)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Baroque
Written: Venice, Italy
Date of Recording: 12/15/1958
Venue:  St. George Hotel, Brooklyn, New York
118.
Nutcracker Suite, Op. 71a by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1892; Russia
Date of Recording: 05/02/1960
Venue:  Manhattan Center, New York City
119.
Swan Lake, Op. 20: no 5, Act 1 – Pas de deux by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
120.
Swan Lake, Op. 20: no 11, Act 2 – Scène, moderato by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
121.
Swan Lake, Op. 20: no 13, Act 2 – Danses des cygnes by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
122.
Swan Lake, Op. 20: no 15, Act 3 – Scène, Danse de fançailles by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
123.
Swan Lake, Op. 20: no 20b, Act 3 – Danse hongroise by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
124.
Swan Lake, Op. 20: no 21, Act 3 – Danse espagnole by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
125.
Swan Lake, Op. 20: no 22, Act 3 – Danse napolitaine by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
126.
Swan Lake, Op. 20: no 23, Act 3 – Mazurka by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875-1876; Russia
Date of Recording: 1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
127.
Sleeping Beauty, Op. 66: no 7, Act 1 – Valse by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1888-1889; Russia
Date of Recording: 01/1971
Venue:  Avery Fisher Hall, Lincoln Center, NYC
128.
Eugene Onegin, Op. 24: Polonaise by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1877-1878; Russia
Date of Recording: 01/1971
Venue:  Avery Fisher Hall, Lincoln Center, NYC
129.
Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Isaac Stern (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1878; Russia
Date of Recording: 03/05/1973
Venue:  30th Street Studio, New York City
Length: 35 Minutes 55 Secs.
130.
Serenade for Strings in C major, Op. 48 by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Russia
Date of Recording: 10/22/1970
Venue:  Avery Fisher Hall, Lincoln Center NY
Length: 33 Minutes 47 Secs.
131.
Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer:  Philippe Entremont (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: Russia
Date of Recording: 10/09/1961
Venue:  Manhattan Center, New York City
Length: 34 Minutes 58 Secs.
132.
Concerto for Piano in G minor, Op. 33/B 63 by Antonín Dvorák
Performer:  Justus Frantz (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1876; Bohemia
Date of Recording: 04/14/1975
Venue:  Columbia 30th Street Studios, NYC
Length: 41 Minutes 20 Secs.
133.
1812 Overture, Op. 49 by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Russia
134.
Marche slave, Op. 31 by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1876; Russia
135.
Capriccio italien, Op. 45 by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1880; Russia
136.
Hamlet Overture, Op. 67 by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1888; Russia
137.
Romeo and Juliet Overture by Peter Ilyich Tchaikovsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1869/1880; Russia
138.
West Side Story: Symphonic Dances by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1960; USA
139.
Symphony no 2 « Age of Anxiety » by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1949; USA
140.
Serenade for Violin and Orchestra « after Plato’s Symposium » by Leonard Bernstein
Performer:  Zino Francescatti (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1954; USA
141.
On the Waterfront: Symphonic Suite by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1955; USA
142.
Candide: Overture by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1956; USA
143.
Fancy Free by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1944; USA
144.
Facsimile by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1946; USA
145.
Dybbuk by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1974; USA
146.
Prelude, Fugue and Riffs by Leonard Bernstein
Performer:  Benny Goodman (Clarinet)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Jazz Band
Period: 20th Century
Written: 1949/1955; United States
147.
On the Town: Three Dance episodes by Leonard Bernstein
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1944; USA
148.
Carmen: Suite no 1 by Georges Bizet
Performer:  Julius Baker (Flute)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875; France
Date of Recording: 05/1967
Venue:  Avery Fisher Hall, New York City
Length: 12 Minutes 30 Secs.
149.
Carmen: Suite no 2 by Georges Bizet
Performer:  William Vacchiano (Cornet), David Nadien (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1875; France
Date of Recording: 05/1967
Venue:  Avery Fisher Hall, New York City
Length: 22 Minutes 53 Secs.
150.
L’arlésienne: Suite no 1 by Georges Bizet
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1872; France
Date of Recording: 1968
Venue:  Avery Fisher Hall, New York City
Length: 18 Minutes 19 Secs.
151.
L’arlésienne: Suite no 2 by Georges Bizet
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: France
Date of Recording: 1968
Venue:  Avery Fisher Hall, New York City
Length: 16 Minutes 59 Secs.
152.
The Unanswered Question no 2 by Charles Ives
Performer:  William Vacchiano (Trumpet)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: USA
Date of Recording: 04/17/1964
Venue:  Manhattan Center, New York City
153.
Holidays: Washington’s Birthday by Charles Ives
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1909; USA
Date of Recording: 01/31/1967
Venue:  Avery Fisher Hall, Lincoln Center, NYC
154.
Holidays: Decoration Day by Charles Ives
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1912; USA
Date of Recording: 05/27/1963
Venue:  Avery Fisher Hall, Lincoln Center, NYC
155.
Holidays: The Fourth of July by Charles Ives
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1911-1913; USA
Date of Recording: 11/23/1964
Venue:  Manhattan Center, New York City
156.
Holidays: Thanksgiving and/or Forefathers’ Day by Charles Ives
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Camerata Singers,  New York Philharmonic
Period: 20th Century
Written: 1904; USA
Date of Recording: 03/05/1968
Venue:  Avery Fisher Hall, Lincoln Center, NYC
157.
Contemplations (2): no 2, Central Park in the Dark by Charles Ives
Conductor:  Seiji Ozawa,  Maurice Peress
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1906; USA
Date of Recording: 05/07/1962
Venue:  Manhattan Center, New York City
158.
Concerto for Orchestra by Elliott Carter
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1969; USA
Date of Recording: 02/11/1970
Venue:  Avery Fisher Hall, Lincoln Center, NYC
159.
Pictures at an Exhibition for Orchestra (orchestrated by Ravel) by Modest Mussorgsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1874/1922; Russia
Date of Recording: 10/14/1958
Venue:  St. George Hotel, Brooklyn, New York
Length: 27 Minutes 15 Secs.
160.
Night on the Bare Mountain by Modest Mussorgsky
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1866; Russia
Date of Recording: 02/16/1965
Venue:  Manhattan Center, New York City
Length: 11 Minutes 0 Secs.
161.
Boléro by Maurice Ravel
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  ORTF National Orchestra
Period: 20th Century
Written: 1928; France
162.
L’apprenti sorcier by Paul Dukas
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1897; France
163.
Finlandia, Op. 26 by Jean Sibelius
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: Finland
164.
Má vlast: no 2, Moldau, T 111 by Bedrich Smetana
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1874; Czech Republic
165.
Tristan und Isolde: Act 1 Prelude by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1858; Germany
166.
Tannhäuser: Overture by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1845/1861; Germany
167.
Rienzi: Overture by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1840-1843; Germany
168.
Lohengrin: Act 3 Prelude by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1847; Germany
169.
Lohengrin: Act 1 Prelude by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1847; Germany
170.
Die Meistersinger von Nürnberg: Act 1 Prelude by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1867; Germany
171.
Der fliegende Holländer: Overture by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1841/1852; Germany
172.
Tristan und Isolde: Liebestod [Instrumental] by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1859; Germany
173.
Tannhäuser: Festival March by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1845/1861; Germany
174.
Die Walküre: Ride of the Valkyries by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1856; Germany
175.
Die Walküre: Magic Fire Music by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1856; Germany
176.
Die Meistersinger von Nürnberg: Dance of the Apprentices by Richard Wagner
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1867; Germany
177.
Danzón Cubano by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1942; USA
Date of Recording: 05/20/1961
Venue:  Manhattan Center, New York City
Length: 6 Minutes 50 Secs.
178.
El salón México by Aaron Copland
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1932-1936; USA
Date of Recording: 05/20/1961
Venue:  Manhattan Center, New York City
Length: 11 Minutes 1 Secs.
179.
Reisado do pastoreio: Batuque by Oscar Lorenzo Fernandez
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1930; Brazil
Date of Recording: 02/06/1963
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 3 Minutes 47 Secs.
180.
Dances (3) for Orchestra: Dansa brasileira by Camargo Mozart Guarnieri
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1931; Brazil
Date of Recording: 02/06/1963
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 2 Minutes 7 Secs.
181.
Sensemayá by Silvestre Revueltas
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1938; Mexico
Date of Recording: 02/06/1963
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 6 Minutes 3 Secs.
182.
Atmospheres by György Ligeti
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1961; Vienna, Austria
Date of Recording: 01/06/1964
Venue:  Manhattan Center, New York City
Length: 6 Minutes 52 Secs.
183.
Out of Last Pieces by Morton Feldman
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1958; USA
Date of Recording: 02/11/1964
Venue:  Manhattan Center, New York City
Length: 10 Minutes 36 Secs.
184.
Crescendo e diminuendo by Edison Denisov
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1965; USSR
Date of Recording: 05/20/1967
Venue:  Philharmonic Hall, New York City
Length: 6 Minutes 10 Secs.
185.
Triplum by Gunther Schuller
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1967; USA
Date of Recording: 07/01/1967
Venue:  Philharmonic Hall, New York City
Length: 16 Minutes 55 Secs.
186.
Incredible Flutist: Suite by Walter Piston
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1938; USA
Date of Recording: 12/02/1963
Venue:  Manhattan Center, New York City
Length: 16 Minutes 49 Secs.
187.
Prelude for Orchestra by Edward Burlingame Hill
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: 20th Century
Written: by 1953; USA
Date of Recording: 04/01/1953
Venue:  Columbia 30th Street Studios, NYC
Length: 8 Minutes 35 Secs.
188.
Pastorale d’été by Arthur Honegger
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1920; France
Date of Recording: 10/31/1962
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 8 Minutes 3 Secs.
189.
Rhapsodie for Saxophone and Piano by Claude Debussy
Performer:  Sigurd Rascher (Saxophone)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1901-1908; France
Date of Recording: 10/16/1961
Venue:  Manhattan Center, New York City
Length: 10 Minutes 16 Secs.
190.
La création du monde, Op. 81 by Darius Milhaud
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Chamber Orchestra
Period: 20th Century
Written: 1923; France
Date of Recording: 03/22/1951
Venue:  Manhattan Center, New York City
Length: 15 Minutes 44 Secs.
191.
Young Person’s Guide to the Orchestra, Op. 34 by Benjamin Britten
Conductor:  Leonard Bernstein
Period: 20th Century
Written: 1946; England
Length: 17 Minutes 30 Secs.
192.
Peter Grimes: Sea Interludes (4), Op. 33a by Benjamin Britten
Conductor:  Leonard Bernstein
Period: 20th Century
Written: 1944-1945; England
Length: 16 Minutes 12 Secs.
193.
Peter Grimes: Passacaglia, Op. 33b by Benjamin Britten
Conductor:  Leonard Bernstein
Period: 20th Century
Written: 1945; England
Length: 8 Minutes 26 Secs.
194.
Suite on English Folk Tunes, Op. 90 « A Time There Was » by Benjamin Britten
Conductor:  Leonard Bernstein
Period: 20th Century
Written: 1966-1975; England
Length: 13 Minutes 47 Secs.
195.
Rhapsody in Blue by George Gershwin
Performer:  Leonard Bernstein (Piano)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Columbia Symphony Orchestra
Period: 20th Century
Written: 1924; USA
Date of Recording: 06/23/1959
Venue:  Hotel St. George, Brooklyn, New York
Length: 16 Minutes 24 Secs.
196.
An American in Paris by George Gershwin
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1928; USA
Date of Recording: 12/21/1958
Venue:  Hotel St. George, Brooklyn, New York
Length: 18 Minutes 22 Secs.
197.
Grand Canyon Suite by Ferde Grofé
Performer:  John Corigliano Sr. (Violin)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: 20th Century
Written: 1931; USA
Date of Recording: 05/20/1963
Venue:  Philharmonic Hall, Lincoln Center, NYC
Length: 33 Minutes 5 Secs.
198.
España by Emmanuel Chabrier
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1883; France
199.
Gaîté Parisienne by Jacques Offenbach
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: France
Date of Recording: 12/16/1969
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 21 Minutes 12 Secs.
200.
Orphée aux enfers: Overture by Jacques Offenbach
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: Paris, France
Date of Recording: 03/21/1967
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 9 Minutes 42 Secs.
201.
Die schöne Galatea: Overture by Franz von Suppé
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1865; Vienna, Austria
Date of Recording: 01/10/1967
Venue:  Avery Fisher Hall, Lincoln Center, NYC
Length: 7 Minutes 38 Secs.
202.
Zampa: Overture by Louis Ferdinand Herold
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1831; Paris, France
203.
Mignon: Overture by Ambroise Thomas
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1866; France
204.
Raymond: Overture by Ambroise Thomas
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1851; France
205.
Dichter und Bauer: Overture by Franz von Suppé
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1846; Vienna, Austria
206.
Guillaume Tell: Overture by Gioachino Rossini
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  New York Philharmonic
Period: Romantic
Written: 1829; Italy
Sony annonce, pour le mois d’août, le troisième et dernier volet du legs discographique de Bernstein chez Sony : les oeuvres vocales et chorales.
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Warner annonce pour septembre un précieux coffret d’enregistrements et de « live » de Leonard Bernstein avec l’Orchestre National de France :
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CD 1-2 Berlioz Symphonie fantastique, Harold en Italie
CD 3 Milhaud Saudades do Brazil, Le Boeuf sur le toit, La Création du monde
CD 4 Schumann Concerto violoncelle, Bloch Schelomo (Rostropovitch)
CD 5 Rachmaninov Concerto piano 3 (Weissenberg) + Répétitions Ravel
CD 6 Ravel Alborada del gracioso, Shéhérazade, Concerto en sol (Bernstein), Tzigane
CD 7 Ravel La Valse, Boléro, Bernstein On the Waterfront, Danses symphoniques de West Side Story

 

 

Rafael Kubelik, un chef en liberté

Le grand chef Rafael Kubelik (1914-1996) avait déjà été honoré, à l’occasion du centenaire de sa naissance, par plusieurs rééditions, chez Warner et Sony.

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  • Guck: Iphigenie en Aulide-Ouvertüre
    +Mozart: Symphonien Nr. 35, 36, 38, 41; Serenade Nr. 13 « Eine kleine Nachtmusik »; Cassation in G, Ouvertüren
    +Beethoven: Symphonie Nr. 6
    +Berlioz: La Damnation de Faust (Ausz.)
    +Schubert: Symphonien Nr. 3, 4, 8, 9
    +Mendelssohn: Ein Sommernachtstraum (Ausz.); Meeresstille und glückliche Fahrt
    +Smetana: Orchesterstücke aus « Die verkaufte Braut »; Mein Vaterland (Ausz.)
    +Janacek: Sinfonietta
    +Bartok: Konzert für Orchester, 2 Portraits
    +Borodin: Polowetzer Tänze; Symphonie Nr. 2
    +Nielsen: Symphonie Nr. 5
    +Tschaikowsky: Symphonien Nr. 4-6
    +Dvorak: Symphonien Nr. 7 & 8; Ouvertüren; Scherzo capriccioso; Slawische Rhapsodie Nr. 3
    +Janacek: Taras Bulba
    +Martinu: Les Fresques de Piero della Francesca; Doppelkonzert für 2 Streichorchorchester ,Klavier & Pauken

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  • Mozart: Symphonien Nr. 35, 36, 38-41
    +Schumann: Symphonien Nr. 1-4; Manfred-Ouvertüre
    +Bruckner: Symphonien Nr. 3 & 4
    +Wagner: Siegfried-Idyll
  •  Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik

 

Deutsche Grammophon complète cet hommage en rééditant la totalité des enregistrements du chef tchèque, devenu suisse, avec quelques inédits en CD, des raretés, et les quatre intégrales symphoniques de Beethoven, Schumann, Dvorak et Mahler.91YKx4IdS9L._SL1500_

Bartók: Concerto for Orchestra, BB 123, Sz.116

  • Boston Symphony Orchestra
  • Rafael Kubelík

Tcherepnin: Piano Concerto No. 2, Op. 26

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Alexander Tcherepnin (piano)

Tcherepnin: Piano Concerto No. 5, Op. 96

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Alexander Tcherepnin (piano)

Beethoven: Symphony No. 1 in C major, Op. 21

  • London Symphony Orchestra
  • Rafael Kubelík

Beethoven: Symphony No. 3 in E flat major, Op. 55 ‘Eroica’

  • Berliner Philharmoniker
  • Rafael Kubelík

Beethoven: Symphony No. 2 in D major, Op. 36

  • Concertgebouw Orchestra of Amsterdam
  • Rafael Kubelík

Beethoven: Symphony No. 7 in A major, Op. 92

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Beethoven: Symphony No. 4 in B flat major, Op. 60

  • Israel Philharmonic Orchestra
  • Rafael Kubelík

Beethoven: Symphony No. 5 in C minor, Op. 67

  • Boston Symphony Orchestra
  • Rafael Kubelík

Beethoven: Symphony No. 6 in F major, Op. 68 ‘Pastoral’

  • Orchestre de Paris
  • Rafael Kubelík

Beethoven: Symphony No. 7 in A major, Op. 92

  • Wiener Philharmoniker
  • Rafael Kubelík

Beethoven: Symphony No. 8 in F major, Op. 93

  • The Cleveland Orchestra
  • Rafael Kubelík

Beethoven: Symphony No. 9 in D minor, Op. 125 ‘Choral’

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Berg: Violin Concerto ‘To the Memory of an Angel’ (1935)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Henryk Szeryng (violin)

Martinon: Violin Concerto, Op. 51

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Henryk Szeryng (violin)

Dvorak: Symphonies Nos. 1-9 (complete)

  • Berliner Philharmoniker
  • Rafael Kubelík

Dvorak: Scherzo capriccioso, Op. 66

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: My Home Overture, Op. 62

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Hussite Overture, Op. 67

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: In Nature’s Realm Overture, Op. 91

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Carnival Overture, Op. 92

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Othello Overture, Op. 93

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: The Water Goblin, Op. 107 (B195)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: The Noon Witch, Op. 108 (B196)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: The Golden Spinning Wheel, Op. 109

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: The Wild Dove, Op. 110 (B198)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Symphonic Variations, Op. 78

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Slavonic Dances Nos. 1-8, Op. 46 Nos. 1-8

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Slavonic Dances Nos. 9-16, Op. 72 Nos. 1-8

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Dvorak: Stabat Mater, Op. 58

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Edith Mathis (soprano), Anna Reynolds (mezzo-soprano), Wieslaw Ochman (tenor), John Shirley-Quirk (baritone)

Dvorak: Legends, Op. 59

  • English Chamber Orchestra
  • Rafael Kubelík

Dvorak: Serenade for Strings in E major, Op. 22

  • English Chamber Orchestra
  • Rafael Kubelík

Kubelik, R: Quattro Forme per Archi

  • English Chamber Orchestra
  • Rafael Kubelík

Falla: Noches en los jardines de España

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Martinů: Piano Concerto No. 5, H366 ‘Fantasia concertante’

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Handel: Water Music Suites Nos. 1-3, HWV348-350

  • Berliner Philharmoniker
  • Rafael Kubelík

Handel: Music for the Royal Fireworks, HWV351

  • Berliner Philharmoniker
  • Rafael Kubelík

Hartmann, K: Symphony No. 4

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Hartmann, K: Symphony No. 8

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Stravinsky: Scherzo a la Russe

  • Berliner Philharmoniker
  • Rafael Kubelík

Stravinsky: Circus Polka

  • Berliner Philharmoniker
  • Rafael Kubelík

Haydn: Mass, Hob. XXII: 9 in C major ‘Paukenmesse’

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Handel: Ombra mai fu (from Serse)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: Più che penso alle fiamme del core (from Serse)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: Se bramate d’amar chi vi sdegna (from Serse)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: Crude furie degli orridi abissi (from Serse)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: Svegliatevi nel core (from Giulio Cesare)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: Son nata a lagrimar (from Giulio Cesare)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Handel: L’angue offeso (from Giulio Cesare)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Gluck: Iphigénie en Tauride: Pylades’ arias

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Fritz Wunderlich (tenor)
  • sung in German

Janáček: Concertino, JW VII / 11

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Janáček: Capriccio for piano (left hand) & chamber ensemble, JW VII / 12 ‘Vzdor’

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Janáček: Sinfonietta

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Janáček: Taras Bulba

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Janáček: Glagolitic Mass

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Janáček: The Diary of One Who Disappeared

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Mahler: Symphonies 1-9 (complete)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Mendelssohn: A Midsummer Night’s Dream – incidental music, Op. 61

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • plus rehersal extracts

Mozart: Serenade No. 7 in D major, K250 ‘Haffner’

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Mozart: Mass in C major, K317 ‘Coronation Mass’

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Edith Mathis (soprnao), Norma Procter (mezzo-soprano), Donald Grobe (tenor), John Shirley-Quirk (baritone)

Mozart: Missa Brevis in C major, K220 ‘Spatzenmesse’

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Edith Mathis (soprano), Tatiana Troyanos (soprano), Horst Laubenthal (tenor), Kieth Engen (bass)

Mozart: Clarinet Concerto in A major, K622

  • Berliner Philharmoniker
  • Rafael Kubelík
  • Karl Leister (clarinet)

Weber: Clarinet Concerto No. 1 in F minor, Op. 73

  • Berliner Philharmoniker
  • Rafael Kubelík
  • Karl Leister (clarinet)

Orff: Oedipus der Tyrann

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Pfitzner: Palestrina

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Nicolai Gedda (Palestrina), Brigitte Fassbaender (Silla), Helen Donath (Ighino), Hermann Prey (Graf Luna), Dietrich Fisher-Dieskau (Carlo Borromeo), Karl Ridderbusch (Christoph Madruscht), Heribert Steinbach (Bernardo Novagerio), Bernd Weikl (Giovanni Morone)

Schoenberg: Gurrelieder

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Hertha Töpper (mezzo-soprano), Kieth Engen (baritone), Lorenz Fehenberger (tenor), Hans Herbert Fiedler (speaker), Herbert Schachtschneider (tenor), Inge Borkh (soprano)

Schoenberg: Piano Concerto, Op. 42

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Alfred Brendel (piano)

Schoenberg: Violin Concerto, Op. 36

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Zvi Zeitlin (violin)

Schumann: Symphonies Nos. 1-4 (complete)

  • Berliner Philharmoniker
  • Rafael Kubelík

Schumann: Genoveva Overture

  • Berliner Philharmoniker
  • Rafael Kubelík

Schumann: Manfred Overture, Op. 115

  • Berliner Philharmoniker
  • Rafael Kubelík

Schumann: Piano Concerto in A minor, Op. 54

  • Berliner Philharmoniker
  • Rafael Kubelík
  • Geza Anda (piano)

Grieg: Piano Concerto in A minor, Op. 16

  • Berliner Philharmoniker
  • Rafael Kubelík
  • Geza Anda (piano)

Schumann: Piano Concerto in A minor, Op. 54

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Wilhelm Kempff (piano)

Schumann: Introduction & Allegro appassionato in G major, Op. 92

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Wilhelm Kempff (piano)

Smetana: Má Vlast

  • Boston Symphony Orchestra
  • Rafael Kubelík

Smetana: Richard III

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Smetana: Wallenstein’s Camp

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Smetana: Hakon Jarl

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Smetana: The Prague Carnival – Introduction & Polonaise

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Verdi: Rigoletto

  • Teatro alla Scala
  • Rafael Kubelík
  • Dietrich Fischer-Dieskau (Rigoletto), Renata Scotto (Gilda), Fiorenza Cossotto (Maddalena), Carlo Bergonzi (Il Duca), Ivo Vinco (Sparafucile), Mirella Fiorentini (Giovanna), Lorenzo Testi (Monterone), Virgilio Carbonari (Marullo), Piero De Palma (Borsa), Alfredo Giacomotti (Conte di Ceprano)

Wagner: Die Meistersinger von Nürnberg: Overture

  • Berliner Philharmoniker
  • Rafael Kubelík

Wagner: Lohengrin: Prelude to Act 1

  • Berliner Philharmoniker
  • Rafael Kubelík

Wagner: Siegfried Idyll

  • Berliner Philharmoniker
  • Rafael Kubelík

Wagner: Tristan und Isolde: Prelude & Liebestod

  • Berliner Philharmoniker
  • Rafael Kubelík

Wagner: Lohengrin

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • James King (Lohengrin), Gundula Janowitz (Elsa), Gwyneth Jones (Ortrud), Thomas Stewart (Friedrich von Telramund), Karl Ridderbusch (König Heinrich), Gerd Nienstedt (Der Heerrufer des Königs)

Weber: Oberon Overture

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Weber: Abu Hassan Overture

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Weber: Der Freischütz Overture

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Weber: Preciosa, Overture J279 (Op. 78)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Weber: Jubel-Ouvertüre, J245 (Op. 59)

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Weber: Oberon

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Donald Grobe (Oberon), Plácido Domingo (Huon), Birgit Nilsson (Reiza), Julia Hamari (Fatima), Hermann Prey (Sherasmin), Marga Schiml (Puck), Arleen Auger (Mermaids)

Mozart: Symphony No. 38 in D major, K504 ‘Prague’

  • Wiener Philharmoniker
  • Rafael Kubelík
  • DVD Video

Beethoven: Leonore Overture No. 3, Op. 72b

  • Concertgebouw Orchestra
  • Rafael Kubelík
  • DVD Video

Beethoven: Symphony No. 2 in D major, Op. 36

  • Concertgebouw Orchestra
  • Rafael Kubelík
  • DVD Video

Beethoven: Symphony No. 3 in E flat major, Op. 55 ‘Eroica’

  • Berliner Philharmoniker
  • Rafael Kubelík
  • DVD Video

Bruckner: Symphony No. 4 in Eb Major ‘Romantic’

  • Wiener Philharmoniker
  • Rafael Kubelík
  • DVD Video

Mozart: Ave verum corpus, K618

  • Chor und Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík

Mahler: Lieder eines fahrenden Gesellen

  • Symphonieorchester des Bayerischen Rundfunks
  • Rafael Kubelík
  • Dietrich Fisher-Dieskau (baritone)

jeanpierrerousseaublog.com : Les fresques de Rafael

Tatiana Nikolaieva, les indispensables

51d7NlZ2-WL

Formidable réédition de la majeure partie du legs discographique de la grande Tatiana Nikolaieva (1924-1993), vingt-cinq ans après sa disparition.

  • Bach: Englische Suiten BWV 806 & 809; Französische Suiten BWV 812-817; Toccata & Fuge BWV 565; Fuge g-moll BWV 578; Choräle BWV 639, 645, 659; Jesus bleibet meine Freude aus BWV 147; Chaconne d-moll aus BWV 1004; Siciliano aus BWV 1031; Das Wohltemperierte Klavier I & II; Inventionen & Sinfonias BWV 787-801; Italienisches Konzert BWV 971 (in zwei Einspielungen 1980 & 1982);
  • Klavierkonzerte BWV 1055 (in zwei Einspielungen 1958 & 1983), 1060, 1062, 1064, 1065; Goldberg Variationen BWV 988; Die Kunst der Fuge BWV 1080
  • Mozart; Klavierkonzert Nr. 22; Konzert für 2 Klaviere & Orchester KV 365; Konzert für 3 Klaviere & Orchester KV 242
  • Chopin: Introduction & Variations brillantes op. 12 “Je vends des scapulaires”
  • Mendelssohn: Capriccio brillante op. 22
  • Nikolayeva: 3 Konzertetüden op. 13
  • Prokofieff: Klaviersonate Nr. 8; Prelude C-Dur op. 12 Nr. 7; Marsch aus “Die Liebe zu den drei Orangen”; Peter und der Wolf
  • Tschaikowsky: Klavierkonzerte Nr. 1 & 2; Konzertfantasie g-moll op. 56;
  • Klaviersonate op. 37; Valse de Salon op. 51 Nr. 1; Valse a cinq temps op. 72 Nr. 16
  • Rachmaninoff: Klavierkonzert Nr. 2
  • Schumann: Intermezzi op. 4; Kinderszenen op. 15; Arabeske C-Dur op. 18; Frühlingsnacht op. 39 Nr. 12; Variationen Es-Dur; 3 Romanzen
  • Schostakowitsch: 24 Preludien & Fugen op. 87 (in zwei Einspielungen (1962 & 1987)
  • Bartok: Klavierkonzert Nr. 3
  • Borodin: Petite Suite; Scherzo As-Dur
  • Liadov: Variationen über in polnisches Volkslied; Barcarolle Fis-Dur
  • Medtner: Klavierkonzert Nr. 1
  • Golubev: Klavierkonzert Nr. 3; Klaviersonate Nr. 4
  • Beethoven: Klaviersonaten Nr. 1-32; Diabelli-Variationen op. 120
  • Künstler: Tatiana Nikolayeva, Mikhail Petukhov, Eliso Virsaladze, Nikolai Lugansky, USSR State Symphony Orchestra, USSR State Academic Symphony Orchestra, Wiener Philharmoniker, Gewandhausorchester Leipzig, Czech Philharmonic Orchestra, Saulius Sondeckis, Nikolai Anosov, Kirill Kondrashin, Carl Schuricht, Kurt Masur, Konstantin Ivanov

Le prix de ce coffret varie d’un site à l’autre, FNAC, Amazon, la meilleure offre actuellement est sur jpc.de.

jeanpierrerousseaublog.com : La grand-mère du piano

Joseph Keilberth, 50 ans après

Il y a quelques mois, je regrettais une discographie lacunaire du chef d’orchestre Joseph Keilberth, né en 1908, mort d’une crise cardiaque le 20 juillet 1968. J’avais cependant entendu parler du projet de Warner de rééditer, dans sa série Icon, les enregistrements réalisés par le chef allemand pour Telefunken de 1953 à 1963. Voici le coffret tant attendu, avec pas mal d’inédits en CD, un intéressant travail de restauration même si certaines prises de son d’origine restent très confinées.

Un chef très « classique », qui chante et enchante dans Mozart, Haydn, Beethoven ou Brahms, qu’on aime depuis toujours dans Bruckner (prodigieuse 6ème symphonie), Johann ou Richard Strauss et dans d’incontournables Reger.

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Les prises mono sont marquées d’une astérisque *, les premières éditions en CD d’une croix +

Mozart: Symphony No. 28 in C major, K200 1963 +

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 30 in D major, K202 1953*+

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 35 in D major, K385 ‘Haffner’ 1965

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 36 in C major, K425 ‘Linz’ 1965

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 38 in D major, K504 ‘Prague’ 1955

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 39 in E flat major, K543 1955

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 40 in G minor, K550 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Symphony No. 41 in C major, K551 ‘Jupiter’ 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Serenade No. 6 in D major, K239 ‘Serenata Notturna’ 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Notturno in D major K286 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Serenade No. 13 in G major, K525 ‘Eine kleine Nachtmusik’ 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Quadrilles (2), K463 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Divertimento No. 1 in E flat major, K113 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Divertimento in D major, K131

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: German Dances (6), K509 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Der Schauspieldirektor, K486: Overture 1959+

  • Bamberger Symphoniker
  • Joseph Keilberth

Mozart: Die Zauberflöte, K620: Overture 1952*+

  • Bamberger Symphoniker
  • Joseph Keilberth

Haydn: Symphony No. 85 in B flat major ‘La Reine’1957

  • Bamberger Symphoniker
  • Joseph Keilberth

Haydn: Symphony No. 101 in D major ‘The Clock’ 1957

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Coriolan Overture, Op. 62 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Leonore Overture No. 3, Op. 72b 1960

  • Berliner Philharmoniker
  • Joseph Keilberth

Beethoven: The Ruins of Athens Overture, Op. 113 1960

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Beethoven: The Ruins of Athens: Turkish March  1960

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Weber: Euryanthe Overture 1953*+

  • Bamberger Symphoniker
  • Joseph Keilberth

Weber: Der Freischütz Overture 1953*+

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Symphony No. 1 in C major, Op. 21 1958

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Symphony No. 3 in E flat major, Op. 55 ‘Eroica’  1956

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Beethoven: Fidelio Overture Op. 72c 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Symphony No. 2 in D major, Op. 36 1958

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Symphony No. 4 in B flat major, Op. 60 1958

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Beethoven: Egmont Overture, Op. 84 1960

  • Berliner Philharmoniker
  • Joseph Keilberth

Beethoven: Symphony No. 5 in C minor, Op. 67 1960

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Beethoven: Symphony No. 6 in F major, Op. 68 ‘Pastoral’ 1958

  • Bamberger Symphoniker
  • Joseph Keilberth

Beethoven: Symphony No. 7 in A major, Op. 92 1960

  • Berliner Philharmoniker
  • Joseph Keilberth

Beethoven: Symphony No. 8 in F major, Op. 93 1958*

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Schubert: Symphony No. 8 in B minor, D759 ‘Unfinished’ 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Schubert: Symphony No. 6 in C major, D589 1954+ (stéréo)

  • Bamberger Symphoniker
  • Joseph Keilberth

Mendelssohn: Calm Sea and Prosperous Voyage, Op. 27 1962

  • Berliner Philharmoniker
  • Joseph Keilberth

Mendelssohn: Hebrides Overture, Op. 26 1962

  • Berliner Philharmoniker
  • Joseph Keilberth

Schumann: Symphony No. 1 in B flat major, Op. 38 ‘Spring’ 1953*

  • Bamberger Symphoniker
  • Joseph Keilberth

Grieg: Peer Gynt Suite No. 1, Op. 46  1956*

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Grieg: Peer Gynt Suite No. 2, Op. 55  1956*

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Brahms: Symphony No. 1 in C minor, Op. 68 1951*

  • Berliner Philharmoniker
  • Joseph Keilberth

Brahms: Symphony No. 3 in F major, Op. 90  1963

  • Bamberger Symphoniker
  • Joseph Keilberth

Brahms: Symphony No. 2 in D major, Op. 73  1962

  • Berliner Philharmoniker
  • Joseph Keilberth

Brahms: Symphony No. 4 in E minor, Op. 98  1960

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Brahms: Tragic Overture, Op. 81 1957

  • Bamberger Symphoniker
  • Joseph Keilberth

Brahms: Hungarian Dance No. 3 in F major 1963

  • Bamberger Symphoniker
  • Joseph Keilberth

Brahms: Hungarian Dance No. 10 in F major 1963

  • Bamberger Symphoniker
  • Joseph Keilberth

Brahms: Hungarian Dance No. 1 in G minor 1963

  • Bamberger Symphoniker
  • Joseph Keilberth

Brahms: Academic Festival Overture, Op. 80 1952*

  • Bamberger Symphoniker
  • Joseph Keilberth

Smetana: Má Vlast: Vltava 1961

  • Bamberger Symphoniker
  • Joseph Keilberth

Smetana: Má Vlast: Z ceských luhu a háju  1961

  • Bamberger Symphoniker
  • Joseph Keilberth

Dvorak: Carnival Overture, Op. 92  1961

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Morgenblätter Walzer, Op. 279 1959+

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Persischer Marsch, Op. 289 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: An der schönen, blauen Donau, Op. 314 1957+

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Künstlerleben, Op. 316 1957+

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Wein, Weib und Gesang, Op. 333 1957+

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Kaiser-Walzer, Op. 437 1957+

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Tritsch-Tratsch Polka, Op. 214 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Rosen aus dem Süden, Op. 388 1959

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Annen-Polka, Op. 117 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Perpetuum Mobile, Op. 257 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Leichtes Blut, polka schnell, Op. 319 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Accelerationen, Op. 234 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Egyptischer Marsch, Op. 335 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Strauss, J, II: Wiener Blut Waltz, Op. 354 1960

  • Bamberger Symphoniker
  • Joseph Keilberth

Dvorak: Slavonic Dances Nos. 1-8, Op. 46 Nos. 1-8 1956+

  • Bamberger Symphoniker
  • Joseph Keilberth

Dvorak: Slavonic Dances Nos. 9-16, Op. 72 Nos. 1-8 1956+

  • Bamberger Symphoniker
  • Joseph Keilberth

Dvorak: Symphony No. 9 in E minor, Op. 95 ‘From the New World’ 1961

  • Bamberger Symphoniker
  • Joseph Keilberth

Dvorak: Cello Concerto in B minor, Op. 104 1958

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth
  • Ludwig Hoelscher (cello)

Wagner: Die Meistersinger von Nürnberg: Overture 1957

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Wagner: Die Meistersinger von Nürnberg: Prelude to Act 3 1957+

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Bruckner: Symphony No. 9 in D Minor 1956

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Bruckner: Symphony No. 6 in A major 1963

  • Berliner Philharmoniker
  • Joseph Keilberth

Strauss, R: Till Eulenspiegels lustige Streiche, Op. 28 1961

  • Berliner Philharmoniker
  • Joseph Keilberth

Strauss, R: Die schweigsame Frau: Pot-Pourri 1963

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Strauss, R: Don Juan, Op. 20 1961

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Strauss, R: Intermezzo, Op. 72: Four Symphonic Interludes 1963

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Strauss, R: Waltz Sequence No. 1 (from Der Rosenkavalier) 1963

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Strauss, R: Waltz Sequence No. 2 (from Der Rosenkavalier, Op. 59) 1963

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Strauss, R: Salome: Dance of the Seven Veils 1963

  • Bayerisches Staatsorchester
  • Joseph Keilberth

Wagner: Lohengrin: Prelude to Act 1 1957

  • Philharmonisches Staatsorchester Hambur
  • Joseph Keilberth

Wagner: Lohengrin: Prelude to Act 3  1957

  • Philharmonisches Staatsorchester Hambur
  • Joseph Keilberth

Reger: Eine Ballettsuite, Op. 130 1962

  • Bamberger Symphoniker
  • Joseph Keilberth

Reger: Variations and Fugue on a theme of Johann Adam Hiller Op. 100  1957

  • Bamberger Symphoniker
  • Joseph Keilberth

Reger: Variations and Fugue for Orchestra on a Theme by Mozart, Op. 132 1962

  • Bamberger Symphoniker
  • Joseph Keilberth

Hindemith: Nobilissima Visione 1956*+

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber 1956*+

  • Philharmonisches Staatsorchester Hamburg
  • Joseph Keilberth

Salonen, le maître du XXème siècle

Le coffret de 61 CD que publie Sony à l’approche de son 60ème anniversaire (le 30 juin prochain) est un exceptionnel hommage à l’art du chef finlandais Esa-Pekka Salonen.

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Je ne connais pas d’équivalent discographique à cette somme, qui révèle ce qui fait la singularité de ce musicien : l’incroyable diversité de son répertoire, certes centré sur le XXème siècle, mais ne s’embarrassant d’aucune barrière esthétique ou dogmatique. Qui d’autre que Salonen a osé aborder – et enregistrer – Corigliano et Saariaho, Dallapiccola et Bernard Herrmann, Hindemith et Webern, Ligeti et Richard Strauss, Rachmaninov et Messiaen, Revueltas et Chostakovitch ? Venant d’un chef finnois, ses anthologies Sibelius, Nielsen, Stravinsky, Lutoslawski, sont plus attendues, et ont fait l’objet de rééditions en coffrets séparés.

L’intérêt de ce coffret est aussi de nous rendre des enregistrements qui n’avaient pas bénéficié d’une distribution internationale, les pièces des Suédois Hillborg ou Larsson, ou encore All Rise de Wynton Marsalis, et les propres compositions de Salonen.

Tout est passionnant, même quand les affinités du chef avec certains répertoires ne semblent pas évidentes (Bruckner, R.Strauss ou Haydn). Si je devais mettre l’accent sur deux disques fascinants, ce serait les monographies Revueltas et Magnus Lindberg (exact  contemporain de Salonen, à trois jours près !)

Liste complète des oeuvres du coffret Sony :

Bach, J S: Toccata & Fugue in D minor, BWV565

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • arr. Stokowski

Bach, J S: Fantasia & Fugue in C minor, BWV537

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • arr. Elgar

Webern: Ricercata from J.S. Bach’s ‘Musical Offering’

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Bach, J S: Prelude & Fugue in E flat major, BWV552 ‘St Anne’

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • arr. Schoenberg

Mahler: Bach Suite

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Bartók: Concerto for Orchestra, BB 123, Sz.116

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Bartók: Music for Strings, Percussion & Celesta, BB 114, Sz. 106

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Bartók: Piano Concerto No. 1, BB 91, Sz. 83

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Bartók: Piano Concerto No. 2, BB 101, Sz. 95

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Bartók: Piano Concerto No. 3, BB 127, Sz. 119

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Bruckner: Symphony No. 4 in Eb Major ‘Romantic’

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Corigliano, J: The Red Violin – Music from the Motion Picture

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Dallapiccola: Il prigioniero (The Prisoner)

  • Swedish Radio Choir, Eric Ericson Choir, Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Phyllis Bryn-Julson (Le Madre), Jorma Hynninen (Il Prigioniero), Howard Haskin (Il Carceriere/Il Grande Inquisitore),

Dallapiccola: Canti di Prigionia

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Debussy: Images for orchestra, L. 122

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Debussy: La Mer

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Debussy: Prélude à l’après-midi d’un faune

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Debussy: Trois Nocturnes

  • Women Of The Los Angeles Master Chorale
  • Esa-Pekka Salonen

Debussy: La Damoiselle élue

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Dawn Upshaw (soprano)

Debussy: Le Martyre de Saint Sébastien – Fragments symphoniques

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Grieg: Peer Gynt, incidental music, Op. 23

  • Oslo Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Barbara Hendriks (soprano)

Haydn: Symphony No. 22 in E flat major ‘The Philosopher’

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Haydn: Symphony No. 78 in C minor

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Haydn: Symphony No. 82 in C major, ‘The Bear’

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Herrmann, B: The Man Who Knew Too Much: Prelude

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: Psycho: A Suite for Strings

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: Marnie: Suite

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: North by Northwest: Overture

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: Vertigo: Suite

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: Torn Curtain

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Herrmann, B: Fahrenheit 451: suite for strings, harps and percussion

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Hillborg: Lava

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Stenmannen

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: När en röd ros slar ut doftar hela skogen

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Jorden är ett litet rum

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: En gul böjd banan

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Kväll

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Du som älskar

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Innan kärleken kom

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hillborg: Vild i min mun

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Hindemith: Symphony ‘Mathis der Maler’

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Hindemith: Die vier Temperamente

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Emanuel Ax (piano)

Hindemith: Symphonic Metamorphoses on Themes by Carl Maria von Weber

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Larsson, L-E: Förklädd Gud (God in Disguise) Op. 24

  • Swedish Radio Choir, Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Hillevi Martinpelto (soprano), Håkan Hagegård (baritone), Erland Josephson (narrator)

Larsson, L-E: Pastoral Suite, Op. 19

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Larsson, L-E: Violin Concerto, Op. 42

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Arve Tellefsen (violin)

Ligeti: Le Grand Macabre

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Sibylle Ehlert, Laura Claycomb, Charlotte Hellekant, Jard van Nes

Ligeti: Nonsense Madrigals

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Mysteries of the Macabre

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Aventures

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Nouvelles Aventures

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Der Sommer

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Harom Weöres dal

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Ligeti: Negy lakodalmi tanc

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Lindberg, M: Cantigas

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Christopher O’Neal (oboe)

Lindberg, M: Cello Concerto No. 1

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Anssi Karttunen (cello)

Lindberg, M: Parada

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Lindberg, M: Fresco

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Schoenberg: Piano Concerto, Op. 42

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Emanuel Ax (piano)

Liszt: Piano Concerto No. 1 in E flat major, S124

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Emanuel Ax (piano)

Liszt: Piano Concerto No. 2 in A major, S125

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Emanuel Ax (piano)

Lutosławski: Symphony No. 2

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Lutosławski: Piano Concerto

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Lutosławski: Fanfare for Los Angeles Philharmonic

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Lutosławski: Chantefleurs et Chantefables

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Dawn Upshaw (soprano)

Lutosławski: Symphony No. 1

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Lutosławski: Symphony No. 2

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Lutosławski: Symphony No. 3

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Lutosławski: Symphony No. 4

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Mahler: Symphony No. 3

  • Los Angeles Master Chorale, Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Anna Larsson (mezzo-soprano)

Mahler: Symphony No. 4

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Barbara Hendriks (soprano)

Mahler: Das Lied von der Erde

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Placido Domingo (tenor) Bo Skovhus (baritone)

Marsalis, W: All Rise

  • The Morgan State University Choir, The Lincoln Center Jazz Orchestra, Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen
  • Wynton Marsalis (trumpet)

Messiaen: Turangalîla Symphony

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Messiaen: Des Canyons aux Étoiles

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Messiaen: Oiseaux exotiques

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Messiaen: Couleurs de la cité céleste

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Nielsen: Symphony No. 1 in G minor, Op. 7 (FS16)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Little Suite in A minor for strings, Op. 1 (FS6)

  • New Stockholm Chamber Orchestra New Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Nielsen: Symphony No. 2, Op. 16 (FS29) ‘The Four temperaments’

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Pan & Syrinx, Op. 49 (FS87)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Aladdin Suite, Op. 34

  • Swedish Radio Chorus, Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Symphony No. 3, Op. 27 (FS60) ‘Sinfonia espansiva’

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Pia-Maria Nilsson (soprano), Olle Persson (baritone)

Nielsen: Symphony No. 6, (FS116) ‘Sinfonia semplice’

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Symphony No. 4, Op. 29 (FS76) ‘The Inextinguishable’

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Helios Overture, Op. 17 (FS32)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Symphony No. 5, Op. 50 (FS97)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Maskarade – Suite

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Violin Concerto, Op. 33 (FS61)

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Cho-Liang Lin (violin)

Sibelius: Violin Concerto in D minor, Op. 47

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Cho-Liang Lin (violin)

Nielsen: Clarinet Concerto Op. 57 (FS129)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Hakan Rosengren (clarinet)

Nielsen: Flute Concerto, FS119

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Per Flemstrom (flute)

Nielsen: Saul & David – Prelude Act 2

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Springtime in Funen, Op. 42

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Rhapsody Overture: An Imaginary Trip to the Faroe Islands (FS123)

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Prokofiev: Romeo and Juliet, Op. 64 – excerpts

  • Berliner Philharmoniker
  • Esa-Pekka Salonen

Prokofiev: Violin Concerto No. 1 in D major, Op. 19

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Cho-Liang Lin (violin)

Prokofiev: Violin Concerto No. 2 in G minor, Op. 63

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Cho-Liang Lin (violin)

Stravinsky: Violin Concerto in D

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Cho-Liang Lin (violin)

Rachmaninov: Piano Concerto No. 2 in C minor, Op. 18

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Rachmaninov: Piano Concerto No. 3 in D minor, Op. 30

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Revueltas: Sensemayá

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Revueltas: Ocho por radio

  • Los Angeles Philharmonic New Music Group
  • Esa-Pekka Salonen

Revueltas: La noche de los Mayas

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Revueltas: Homenaje a Federico García Lorca

  • Los Angeles Philharmonic New Music Group
  • Esa-Pekka Salonen

Revueltas: Ventanas

  • Los Angeles Philharmonic Orchestra
  • Esa-Pekka Salonen

Revueltas: First Little Serious Piece

  • Los Angeles Philharmonic New Music Group
  • Esa-Pekka Salonen

Revueltas: Second Little Serious Piece

  • Los Angeles Philharmonic New Music Group
  • Esa-Pekka Salonen

Saariaho: Graal théâtre version for violin and chamber orchestra

  • BBC Symphony Orchestra
  • Esa-Pekka Salonen

Saariaho: Chateau de l’Ame

  • Finnish Radio Symphony Orchestra
  • Esa-Pekka Salonen
  • Dawn Upshaw (soprano)

Saariaho: Cello Concerto No. 1 ‘Amers’

  • Avanti! Chamber Orchestra
  • Esa-Pekka Salonen
  • Anssi Karttunen (cello)

Salonen: LA Variations

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen

Salonen: Five Images After Sappho

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Dawn Upshaw (soprano)

Salonen: Giro

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen

Salonen: Mania for Cello & Orchestra

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Anssi Karttunen (cello)

Salonen: Gambit

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen

Schoenberg: Verklärte Nacht, Op. 4

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Schoenberg: String Quartet No. 2 in F sharp minor, Op. 10

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen
  • Faye Robinson (soprano)
  • arr. Schoenberg

Shostakovich: Piano Concerto No. 1 in C minor for piano, trumpet & strings, Op. 35

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Shostakovich: Piano Concerto No. 2 in F major, Op. 102

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Shostakovich: Piano Quintet in G minor, Op. 57

  • Juilliard String Quartet
  • Esa-Pekka Salonen
  • Yefim Bronfman (piano)

Sibelius: Symphony No. 5 in E flat major, Op. 82

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Sibelius: Pohjola’s Daughter, Op. 49

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Sibelius: Lemminkäinen Suite, Op. 22

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen

Sibelius: En Saga, Op. 9

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen

Sibelius: Kullervo, Op. 7

  • The Helsinki University Chorus (YL), Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Marianna Rørholm (soprano), Jorma Hynninen (baritone)

Goldmark: Violin Concerto No. 1 in A minor, Op. 28

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Joshua Bell (violin)

Sibelius: Violin Concerto in D minor, Op. 47

  • Los Angeles Philharmonic
  • Esa-Pekka Salonen
  • Joshua Bell (violin)

Strauss, R: Duett-Concertino for Clarinet, Bassoon & Strings, AV147

  • New Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Strauss, R: Metamorphosen

  • New Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Strauss, R: Capriccio Prelude

  • New Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Stravinsky: Petrushka

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: Orpheus

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: The Firebird

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: Jeu de cartes

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: The Rite of Spring

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: Symphony in 3 movements

  • Philharmonia Orchestra
  • Esa-Pekka Salonen

Stravinsky: Pulcinella

  • London Sinfonietta
  • Esa-Pekka Salonen
  • John Tomlinson (bass), John Aler (tenor), Yvonne Kenny (soprano)

Stravinsky: Ragtime, for eleven instruments

  • London Sinfonietta
  • Esa-Pekka Salonen

Stravinsky: Renard

  • London Sinfonietta
  • Esa-Pekka Salonen
  • John Tomlinson (bass), David Wilson-Johnson (baritone), London Sinfonietta, John Aler (tenor), Nigel Robson (tenor)

Stravinsky: Octet for Wind Instruments

  • London Sinfonietta
  • Esa-Pekka Salonen

Stravinsky: Capriccio for Piano and Orchestra

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Stravinsky: Movements for Piano & Orchestra

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Stravinsky: Concerto for Piano & Wind Instruments

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Paul Crossley (piano)

Stravinsky: Symphonies of Wind Instruments

  • London Sinfonietta
  • Esa-Pekka Salonen

Stravinsky: Concerto in D for string orchestra ‘Basler’

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Stravinsky: Apollon musagète

  • Stockholm Chamber Orchestra
  • Esa-Pekka Salonen

Stravinsky: Cantata

  • London Sinfonietta
  • Esa-Pekka Salonen
  • Terry Edwards (chorus master), Yvonne Kenny (soprano), London Sinfonietta Voices, John Aler (tenor)

Stravinsky: Oedipus Rex

  • Esa-Pekka Salonen
  • Simon Estes (bass), Hans Sotin (bass), Anne Sofie von Otter (mezzo-soprano), Nicolai Gedda (tenor), Patrice Chereau (speaker), Hans Sotin (baritone)

Takemitsu: To The Edge Of Dream for Guitar And Orchestra

  • London Sinfonietta
  • Esa-Pekka Salonen

Takemitsu: Folios, for guitar

  • Esa-Pekka Salonen
  • John Williams (guitar)

Takemitsu: Toward the Sea I for alto flute & guitar

  • Esa-Pekka Salonen
  • John Williams (guitar), Sebastian Bell (flute)

Takemitsu: Here, There and Everywhere (John Lennon and Paul McCartney) from 12 Songs

  • Esa-Pekka Salonen
  • John Williams (guitar)

Takemitsu: What A Friend (Charles C. Converse) from 12 Songs

  • Esa-Pekka Salonen
  • John Williams (guitar)

Takemitsu: Amours Perdues (Joseph Kosma) from 12 Songs

  • Esa-Pekka Salonen
  • John Williams (guitar)

Takemitsu: Summertime (Gershwin) from 12 Songs

  • Esa-Pekka Salonen
  • John Williams (guitar)

Takemitsu: Vers, L’Arc-en-Ciel, Palma

  • London Sinfonietta
  • Esa-Pekka Salonen
  • John Williams (guitar), Gareth Hulse (oboe d’amore)

Jolivet: Trumpet Concerto No. 2

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Wynton Marsalis (trumpet)

Jolivet: Concertino for Trumpet, String Orchestra and Piano (1948)

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Wynton Marsalis (trumpet)

Tomasi, H F: Trumpet Concerto

  • Philharmonia Orchestra
  • Esa-Pekka Salonen
  • Wynton Marsalis (trumpet)

Alfvén: Swedish Rhapsody No. 1, Op. 19 ‘Midsommarvaka’

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Sibelius: Valse Triste, Op. 44 No. 1

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Sibelius: Finlandia, Op. 26

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Grieg: Sigurd Jorsalfar – three orchestral pieces, Op. 56

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Leifs: Geysir, Op. 51

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Nielsen: Maskarade – Suite

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Järnefelt: Berceuse

  • Swedish Radio Symphony Orchestra
  • Esa-Pekka Salonen

Les symphonies de Schubert

Comme beaucoup, j’ai commencé ma découverte des symphonies de Schubert par l’Inachevée,un 33 tours de la petite collection de mes parents (Guilde du disque ?), puis, adolescent, la 5ème symphonie, écoutée en boucle sur la chaîne Dual de mon « correspondant » allemand. Pas retenu le nom des interprètes ! Puis ce furent, dans l’ordre, les 2ème et 3ème symphonies par Lorin Maazel, la 6ème par Karl Böhm, et peu après les 3ème et 5ème par Beecham.

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Bien plus tard, quand Maazel sera réédité en CD, je trouverai ses interprétations univoques, brillantes, vives, enregistrées dans une stéréo dure et artificielle, manquant de tendresse. Avec des tempi à la limite du ridicule, comme dans le dernier mouvement – allegro moderato, et non prestissimo ! – de la 6ème symphonie.

Maazel aggrave son cas avec son intégrale tardive captée en concert à Munich en 2013 un an avant sa mort. Quelle utilité ?

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Quel contraste avec la vision bien pépère de Böhm, un allegro tellement moderato  qu’on s’endort avant la fin, avec laquelle j’ai découvert cette 6ème symphonie !

816AOYx5l7L._SL1500_C’est avec Böhm que je constituerai, disque après disque, ma première intégrale des symphonies. Je l’ai gardée, mais je me suis lassé d’un trop de sérieux, de sagesse, dans des oeuvres qui devraient respirer la jeunesse (Schubert a 16 ans quand il écrit sa 1ère symphonie… et il meurt à 31 ans !)

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Mon exploration de l’univers symphonique de Schubert se poursuit avec un disque singulier – Beecham l’est toujours ! -. Le chef anglais musarde, s’attendrit, épouse les humeurs du jeune homme qui a composé ces deux symphonies, et surprend par des tempi plutôt relaxed, comme disent les critiques britanniques.

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Lorsque Disques en lice comparera plusieurs versions de la 5ème symphonie, j’aurai d’abord un peu de mal à convaincre le producteur François Hudry d’intégrer Beecham à la compétition, il trouve le début vraiment trop lent. Et finalement ce sera la version primée par la tribune !

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Toujours en suivant la chronologie j’en pincerai un temps pour Sawallisch et la Staatskapelle de Dresde (Philips, 1967). Enregistrée de trop près, corsetée par une direction sans élan, la phalange saxonne est bien loin de l’univers schubertien (alors que le même équipage donnera quelques années plus tard, pour EMI, une intégrale des symphonies de Schumann qui fait toujours référence.

Au début des années 80, c’est une toute autre perspective, musicale et sonore – beauté de la prise de son ! – que nous offre Herbert Blomstedt avec le même orchestre. La plus « économique » et sans doute l’une des intégrales les plus homogènes.

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La critique s’emballera quasi unanimement pour Abbado, qui publie une version « chambriste » des symphonies, il y a trente ans exactement. J’avoue que je n’accrocherai jamais vraiment. C’est propre, bien joué, mais franchement l’imagination est aux abonnés absents.

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Même impression d’ensemble avec Barenboim qui s’ennuie à Berlin, et « wagnérise » les dernières symphonies.

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Avant lui, Karajan avait cédé à la demande d’EMI – un label qu’il retrouvait en 1969/70 après la première période Legge, sous l’impulsion de son agent Michel Glotz – et gravait une intégrale, bâclée, empesée, presque brucknérienne. Evitable !

À Londres, pendant la décennie 80, l’inépuisable défricheur qu’était Neville Marriner réalisait pour Philips d’abord un authentique travail musicologique sur les partitions de Schubert, et enregistrait, souvent en première mondiale, les compléments, fragments réalisés, recomposés par Brian Newbould

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La décennie suivante, Harnoncourt tient la vedette, en soumettant le vénérable Concertgebouw d’Amsterdam à un traitement de choc. Cela nous vaut des symphonies de Schubert peu orthodoxes  ‘Mais le respect que l’on doit au travail de pionnier de Harnoncourt, à son esprit d’aventure, n’empêche pas qu’on peut sortir furieux de l’écoute d’une telle intégrale, même pour les premières symphonies, qui selon la critique supportaient mieux le traitement que leur fait subir le maestro viennois. À chaque note ou presque, Harnoncourt se demande ce qu’il va en faire, ou plutôt comment il va en faire quelque chose à quoi les autres n’avaient pas pensé. Le plus intérieur des compositeurs sort défiguré par tant d’affêteries, par tant de narcissisme » (commentaire posté sur Amazon).

On n’est pas loin de partager cet avis. Entre le menuet mené à train d’enfer de la 4ème symphonie, et le lentissime 4ème mouvement de la 6ème symphonie, Harnoncourt fait du Harnoncourt plus que du Schubert.

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Le chef disparu en 2016 avait refait une intégrale en concert à Berlin. Je ne l’ai pas écoutée, mais les quelques extraits que j’en ai entendus ne m’ont pas convaincu.

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Alors vers quelles intégrales se tourner ?

Le probe Günter Wand ? Son intégrale reparaît ces jours-ci en coffret « super-éco »

81v45HxLUML._SL1500_.jpgLe bel équilibre, les timbres chatoyants des Viennois, mis en valeur par Riccardo Muti au début des années 90 ? Coffret EMI « super-éco » republié par Brilliant Classics.

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Mais si l’on veut vraiment explorer tout le spectre de l’univers de Schubert le Viennois, on se fiera à deux guides qui, chacun à leur manière, nous donnent à entendre tous les visages de Franz, avec les timbres uniques des Wiener Philharmoniker

Le surdoué Istvan Kertesz (1929-1973) :

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et son aîné Karl Münchinger (1915-1990), dont Eloquence nous a restitué tout récemment une superbe quasi-intégrale

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Dans la même perspective « traditionnelle », j’aime beaucoup les enregistrements réalisés par Colin Davis à Dresde à la fin des années 90.

71iWuvP-vdL._SL1500_Tendresse particulière pour la démarche toujours si inspirée, infiniment respectueuse des partitions, du très regretté Frans Brüggen (1934-2014)

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Et pour moi une récente redécouverte (lire Schubert à Santorin) la vision proche de l’idéal (de mon idéal ?) de Yehudi Menuhin : la grâce, l’élan, la tendresse, la justesse du mouvement.

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Warner a consacré une monumentale et luxueuse édition à Menuhin, soliste, chambriste (Menuhin Century) à l’occasion de son centenaire en 2016. Dommage qu’on n’ait pas saisi l’occasion de rééditer le legs symphonique du grand musicien. Warner nous le doit bien…

Enfin, la très bonne surprise de ces dernières semaines, c’est la réédition – superbe mono – d’un bouquet de symphonies par le grand Eduard Van Beinum.

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